Sewage Works, Lower Molonglo

This work is part of my 'Trig Point' series.
I’ve always been interested in Sewage Works (and other public infrastructure). It comes from spending too many years in a previous life around landfills and Council Engineering Departments.
Essential places that are often down below or on the fringe of something, hidden from view and quite unloved. These places (and others like them for example gaols, refugee processing centres and town camps) are places that we don’t like to think about. Uncomfortable reminders of our impact on the environment, consumerism and literally, human waste. You don’t want to live too close…..
While, technically, nothing to do with Trig Points, I’ve often ridden down to this Sewage Works (it’s down the end of a hilly and quiet road). On this occasion, I was on an aborted Trig Point journey where I ended up in Woodstock Reserve. The Reserve had a great view of the Sewage Works so I decided to paint it.

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I am an artist who has run an e-bike business from home for the past 15 years while raising three children and loves most things about living in the “People’s Republic of O’connor” (Inner North, Canberra). I graduated with an MBA (Strategic Operations Management) from Charles Stuart University a long time ago and a BA in Visual Arts (Painting) from the Australian National University a very, very, long, long time ago.
There are a couple of underlying, reoccurring and interrelated themes that inform my art practice and bubble to the surface of my paintings (both implicitly or explicitly) from time to time.
The first of these themes is the idea of ‘desire lines’. In urban and transport planning ‘desire lines’ refer to the unofficial paths that collective feet make through the landscape over time. These well-trodden paths are both subversive, being illicit, and conversely, the path of least resistance. Desire Lines are paths that form themselves and are evidence of both humanity and the impact of humans in the environment.
Secondly, I use the landscape, and elements within the landscape, to explore what I’m thinking about ‘in the moment’. The moment (or muse) can include an emotion or idea, such as gratitude to a friend or joy in life’s journey.
Often, the inspiration for a painting, is a personal reaction to the zeitgeist and current bigger picture concerns.
A third related theme is an interest in, and love of exercise, and being outdoors.
Finally related to all of the above, it's impossible to paint landscapes, or places or people (in fact anything) without having some awareness in and reaction to climate change and our role in it, so as inferred above, this is also a frequently occurring theme throughout my paintings. I hope my paintings inspire others to actively explore the world around them, as well as their relationship to it.