Steam and Sandwiches The Picnic Train Locomotive 5917

Certificate of Authenticity Included

Framing Options

A$540

Artwork Details

Medium Watercolour, Paper (Requires Framing)
Dimensions 36cm (W) x 26cm (H) x 0.1cm (D)
Review Stars 21,255 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from NSW

Thursday, Jun 18 - Saturday, Jun 20

Artwork Description

How romantic is a steam train ... long slow toooooot as it chuffs past.
The Picnic Train is certainly a delight to see as it gently chugs past filled with happy day trippers.
Enjoy!

For the train buffs.... Locomotive 5917 is a two-cylinder, simple, non-condensing, superheated, coal-fired, 2-8-2 ‘Mikado' steam locomotive and one of five D59 class locomotives that were preserved. As of June 2021, it is the main steam locomotive used for the Picnic Train, mainly running between Sydney and Kiama.

Artist Bio

I just love watercolour painting and sharing the joy! I have a nursing background and had spent recent 3 years towards a PhD (UoN) looking at Doctoral students, their supervisors and ethics in research.... then... I had a sudden awakening.. I would rather be painting!!!!!
I have rediscovered painting after many decades of life getting in the way. I am mostly self taught over the last couple of years.
My work is mostly watercolour with some graphite drawing and charcoal works also.
I frequently exhibit in local and regional exhibitions and have received awards, in May 2021 exhibiting in galleries in Milan, Italy and Rosebery in Sydney.
Having enjoyed overseas and domestic travel, one of my favourite subjects is to use my own reference photos and really infuse my artwork with the emotion and beauty I have discovered. I have a very eclectic approach to subjects, preferring to 'go with the flow' if I feel moved by a particular subject I draw on that enthusiasm to take the viewer with me into that moment. I am inspired by famous artists such as John Singer Sargent and Hans Heysen.
My sentiments are well worded by T.W. Schaller (2018,p.32)"And if you see my work, it is not so important that you understand exactly what I may have felt when painting it. If it is enough to draw you in a little, stay a while, and even imagine your own stories, then I have succeeded. For that moment, in silent conversation, you and I have connected. That is all I can hope for my work to do".

Still exploring and will never stop learning and enjoying sharing some joy.

Commissions

Carol's studio is in Central Coast, N.S.W