Beyond the Crossing by Stephen Smith, Canvas Print
Early preview

See it on your wall

Take a photo of your room and we'll place Beyond the Crossing on it, at its real size. About 15 seconds.

  • Stand square-on to the wall
  • Get the whole wall and some furniture in
  • Daylight works best

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Beyond the Crossing by Stephen Smith, Canvas Print
Framing option natural
Framing option black
Framing option white
Reproduction Print by Stephen Smith 24 Artworks Sold

Beyond the Crossing

Canvas Print, Canvas, Ready to hang

Printed to size: 40cm (W) x 30cm (H) x 5.5cm (D)

Original Artwork Sold Out A$650

Print Size

Small 40 x 30cm

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

A$299

Arrives 2 to 5 Nov

Free tracked, insured shipping Australia-wide.

Collect with confidence

  • 7-day free returns, no questions asked.
  • Insured door to door. Not perfect? We make it right.
  • Complimentary advice from our art curators.

Original Artwork's Description

Whitlam Square is the junction where Sydney's colourful Oxford Street starts its journey east from the city to Bondi. It also seems to be one of the windiest places in the city. Depending on which crossing you take you'll be in Surry Hills, Darlinghurst or Sydney City. I see the crossings as a metaphor for our choices in life ... including my own as I wonder what is beyond the crossing.

Please note: This painting is framed with a custom Tasmanian oak "floating" frame. The framed images are for demonstration only and the actual frame may vary from the images.

Artist Bio
Photo of Stephen Smith
Stephen Smith 118 artworks | 6 Sold

I paint streets, landscapes, portraits and other things that capture me.

My artist journey began with an early passion for painting before following a career in television and film where I've created soundtracks for many of Australia's best known television shows and award winning productions. In recent years I've returned to my original love of painting.

I’m drawn to the often overlooked moments of emptiness or disquiet within urban environments and aim to evoke some response or humour through much of my work. I also like to explore at the imbalance, or sometimes tension, between the constructed and natural worlds.