Stuart Chape
79 artworks

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Australia , Australia
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Artwork Description

Photograph on paper

Signed on the front.

The image was photographed in the Jakar Dzong or the “Castle of the White Bird” in Bumthang in central Bhutan. It records a dance during the annual tsechu or festival. A slow shutter speed was used to capture the dynamic movement of the dancers.
Other sizes and prices available on request.
Chromatic Photography Awards 3rd Prize - Culture 2021

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Medium

Archival pigment ink print. Matte or gloss paper on request. Alternate sizes and prices available.

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Unframed (requires framing)

This artwork is unframed and requires framing.

People & Portrait Art
#Dance, #Bhutan, #tsechu, #Bhutan festival, #Buddhism, #multi-coloured movement, #South Asia, #Himalayas, #traditional dance, #demons, #gods, #white

Stuart Chape
79 artworks

Follow
(290)
Australia , Australia
Follow
(290)
Ask Stuart a question
Enquire Size Or Framing

All art by Stuart Chape

The images in my ‘Rust Coast’ series were taken on a short section of coastline east of Honiara in the Solomon Islands. Ships and vehicles that reach the end of their usefulness are dumped along the shoreline. In the 12 years that I have been visiting this location I have recorded the changing seascape as rusting hulks are stripped, some metal salvaged and then left to rust away, and new wrecks added. Local people with limited resources eke a living in their shadows. The compositions change but the elements of rusting waste and poverty have remained the same. These recent images in my ‘Rust Coast’ series were taken on a short section of coastline east of Honiara in the Solomon Islands. Ships and vehicles that reach the end of their usefulness are dumped along the shoreline. In the 12 years that I have been visiting this location I have recorded the changing seascape as rusting hulks are stripped, some metal salvaged and then left to rust away, and new wrecks added. Local people with limited resources eke a living in their shadows. The compositions change but the elements of rusting waste and poverty have remained the same. These recent images in my ‘Rust Coast’ series were taken on a short section of coastline east of Honiara in the Solomon Islands. Ships and vehicles that reach the end of their usefulness are dumped along the shoreline. In the 12 years that I have been visiting this location I have recorded the changing seascape as rusting hulks are stripped, some metal salvaged and then left to rust away, and new wrecks added. Local people with limited resources eke a living in their shadows. The compositions change but the elements of rusting waste and poverty have remained the same. These recent images in my ‘Rust Coast’ series were taken along a short section of coastline east of Honiara in the Solomon Islands. Along the shoreline ships and vehicles that reach the end of their usefulness are dumped. In the 12 years that I have been visiting this location I have recorded the changing seascape as rusting hulks are stripped, some metal salvaged and then left to rust away, and new wrecks added. Local people with limited resources eke a living in their shadows. The compositions change but the elements of rusting waste and poverty have remained the same.
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