Slantwise

Certificate of Authenticity Included

Framed by Artist

A$710

Artwork Details

Medium Acrylic, Canvas, Framed by Artist
Dimensions 44cm (W) x 55cm (H) x 2cm (D)
Review Stars 21,275 Customer Reviews
Original Artwork
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Saturday, Jun 27 - Monday, Jun 29

Artwork Description

Subject: Abstract interpretation of landscape and interior forms, evoking movement and memory.

Style: Gestural abstraction with hints of expressionism. Loose brushwork, layered textures, and organic shapes suggest influence from artists like Joan Mitchell and Frank Auerbach, balancing spontaneity with emotional depth.

Description: This piece began with an image of striped fabric caught in low afternoon light, but - as often happens - the memory drifted and the marks took over. ‘Slantwise’ was built up in layers of acrylic, moving from figuration into abstraction. I let brushstrokes interrupt each other, leaving fragments visible beneath the surface. . There's a freedom in not knowing exactly where you're going. You stop thinking and start following the rhythm of the hand

Artist Bio

Sue Roberts trained at the Cambridge College of Art and Technology, where she received a Diploma in Visual Art before moving to London to work as an illustrator and graphic designer.

After relocating to Sydney with her husband and young family, Sue stepped away from professional practice for a time. When she returned to the studio, it was with a renewed focus and a commitment to further study. She completed diplomas in painting and printmaking at Hornsby TAFE, followed by a Bachelor of Fine Art Sculpture from the National Art School in Sydney.

Working fluidly between painting and sculpture, she has been widely exhibited and is held in private and institutional collections. Her accolades include the Kooindah Waters Acquisitive Sculpture Prize and the CCAT Travel Scholarship. She has been recognised across a range of juried exhibitions, including the UWS Sculpture Exhibition, Sculpture in the Vineyards and the Ewart Art Prize.

Through shifts in geography, disciplines and life stage, Sue has continued to follow a central thread: an enduring fascination with landscape - not just as subject, but as memory, emotion and elemental force.

Much of Sue’s practice is grounded in close observation of the natural world - echoing the contrasting topographies of both hemispheres: her early years in the rolling hills of northern Englands Lake District to the bold and often rugged forms of the Australian bush. Acrylic is her primary medium, though she moves fluidly between materials, allowing each piece to dictate its own process.

Commissions

Sue's studio is in Sydney