Looking At Prints 1992 Ed. 3 of 10

Looking At Prints 1992 is a black and white fine art photograph that captures a private moment of reflection and self-expression. A semi-nude woman kneels beside a sofa, resting her elbows as she quietly studies a selection of photographic prints.
The sensuality of the image lies not in display, but in privacy. Removed from performance or observation, the subject appears fully at ease, absorbed in the act of looking. The intimacy of the setting allows the viewer to sense a deeper interior world — one shaped by curiosity, memory, and personal response to the images before her.
The photograph invites contemplation rather than certainty. What the prints evoke is left unresolved, allowing space for ambiguity and projection. Rendered in black and white, the image strips away distraction, focusing attention on form, gesture, and the quiet intensity of a moment that feels both personal and unrepeatable.

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Tony Potts is an internationally recognised Sydney-based photographer whose career spans more than four decades. Working primarily in black and white, his photography explores fashion, the human form and Australian beach culture, particularly through his long-running series on Sydney’s Bondi Beach.
Potts has exhibited internationally and his work is held in private collections across Australia, Europe and the United States. Alongside his fine art practice, he enjoyed a successful international career in fashion and advertising photography.
He continues to release selected works from his extensive photographic archive as limited edition fine art prints.