Treasure me slowly

I’m obsessed with large scale formates and the challenges that come with defining where the focal points will be, getting the viewer to take a closer look.
I’ve started with the texture base of acrylic, mediums and large brush work before proceeding with oils and oil mediums.
Using a large pallet knife ladened with white oil, cold wax and galyyd gel to add textural elements and further reduce the the color elements of under painting. I wanted to push areas to the exterior and upwards with section in the center exposed.
Oils sticks have been rubbed, draw over details that I wanted to keep and make pop forward.
Some areas have been brushed over with white oil stick to highlight groove and brush strokes.
I’ve repeat the layering and process to further minimize and to create breaks in the work.
I’ve rub cold wax medium as a finish and buffed slightly, give a Matt finish.

If used poly pro 4 times primed canvas which is ideal for warmer climates.
The artwork is stretch on a
Timber: Kiln-dried Victorian Ash
H bar brace
Profile: 32mm thickness
Join: European mitred mortice and tenon with slots for wedges

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Hi everyone, I work for my studio on the Gold Coast and I'm an an abstract expressionist artist also exploring some abstract figurative work which I enjoy.
Painting for me is like food, it nourishes the soul, has to be done every day with loads of variations, always seeking new concepts to create a broad base of ecliptic subject matter expressed in color.
I like the element of surprise with the composition planed to some degree yet still allowing spontaneous flow.
My process can be intensive with multiple layers creating depth and vibrancy, heavy textures, gestural brush strokes, palette knife and wet into wet applications that’s always exciting with unexpected color combinations.
Not all my work is bright, I also like earthy tones and the balancing of cool and warm hues with textural elements.
Ive explores a range of techniques which I’ve storing in my arsenal and the common thread thru my work would be colorful, bold, bespoke abstract  with impact and  texture.

Im happy to work with a collect to design a bespoke piece for their interior space, color scheme and I love LARGE SCALE ABSTRACT commissions, the larger the better.
 
I use a range of quality paint, Golden, Hydrocryl, Matisse, oil, Gamblins cold wax, oil stick and charcoals are used in my work, with a UV sealer or cold wax. Frames are custom made pine ;also I use Victorian Ash kiln dry on request - just a tad more expensive.
Quality 4 x primed poly pro cotton canvas and linen available on request.

Since 2016 I’ve been doing private commissions, participating at RQAS, Raw Events Gold Coast 2016 and bespoke artwork for Boutique apartments locally on the Gold Coast.

My inspiration for Judith Murray, Brian Rutenburg, Gustof Limt and Salvador Dali.