Discover artists from New South Wales

Carley Walsh

Blue Mountains

See Portfolio (28)

It's hard to find a more beautiful dog to paint than a dachshund. I hope you like my rendition of this beautiful dog,

Dachshund Oil Painting

Oil, 30cm (W) x 40cm (H)

A$450

Dalmatian puppy sitting and watching. I loved painting this cute dalmatian pup!

Dalmatian puppy oil painting

Oil, 50cm (W) x 25cm (H)

A$400

Oriental Cat Profile Oil Painting

Oil, 30cm (W) x 40cm (H)

A$600

These gorgeous mischievous puppies under the Christmas Tree is an oil painting is hand painted by myself. Measuring 16 by 16 inches
Painted on wood panel using high quality artist oil paints.
Please note that the image colours may vary to that of the original painting due to different monitor calibration settings.
The painting will be shipped by Australian Domestic or International Air Mail post.
All artwork is copyright © Carley Anne Walsh. All rights reserved.

Puppies Under the Christmas Tree

Oil, 40cm (W) x 40cm (H)

A$450

mathieu baverel

Deewhy

See Portfolio (7)

Creek

mathieu baverel

Acrylic, 76.2cm (W) x 76.2cm (H)

A$880

Blue waves

mathieu baverel

Acrylic, 46cm (W) x 46cm (H)

A$810

(CreativeWork) Waves wash by mathieu baverel. Acrylic. Shop online at Bluethumb.

Waves wash

mathieu baverel

Acrylic, 41cm (W) x 41cm (H)

A$560

(CreativeWork) Golden rain by mathieu baverel. Acrylic. Shop online at Bluethumb.

Golden rain

mathieu baverel

Acrylic, 51cm (W) x 51cm (H)

A$440

Alicia Bowdren

albury

See Portfolio (6)

Wisteria

Acrylic, 44cm (W) x 44cm (H)

A$720

A$80010% Off

Coleus Plant

Acrylic, 41cm (W) x 41cm (H)

A$540

A$60010% Off

Multicolored dahlias in green jar with magenta ribbon tied to the rim. Gold earrings, three gold and diamond pins and silver comb below the flower arrangement.

Dahlias with jewellery

Acrylic, 27cm (W) x 33.5cm (H)

A$190

Blue landscape in oil. Signed, framed and ready to hang in an oak frame

Blue river

Oil, 40.5cm (W) x 50.5cm (H)

A$306

A$34010% Off

Harpreet kaur

Profile

See Portfolio (6)

A Floral mixture of colors on the canvas

Colourful round painting

Watercolour, 20cm (W) x 20cm (H)

A$100

Silence and peace Budha painting

Silence and Peace

Acrylic, 30.5cm (W) x 61cm (H)

A$100

A classic detailed flower piece

Pink Beauty

Acrylic, 20cm (W) x 20cm (H)

A$100

When Design and color become friends

Rainbow Of Life

Acrylic, 20cm (W) x 20cm (H)

A$100

Carol Barroso

South Coast Beach

See Portfolio (38)

Capoeira Dance Circle

The Foreigner

Oil, 122cm (W) x 81cm (H)

A$1,440

Pelican, Kookaburras, ocean, seascape, beach landscape, sunset, afternoon light

Pelican and Kookaburras

Oil, 122cm (W) x 81cm (H)

A$1,350

A$1,50010% Off

Deers, urban street, deers in town

Deers Crossing

Oil, 122cm (W) x 91.5cm (H)

A$1,060

Abstract expressionism, light, golden mountain, culture

Ouro Preto

Oil, 92cm (W) x 71cm (H)

A$1,070

MIKU H

Australia

See Portfolio (5)

Your Back

Acrylic, 40cm (W) x 50cm (H)

A$1,590

Hands

Acrylic, 40cm (W) x 50cm (H)

A$1,590

Womb

Acrylic, 76cm (W) x 76cm (H)

A$3,170

Compromise

Acrylic, 38cm (W) x 114cm (H)

A$1,650

Irina Moskvina

Sydney, NSW

See Portfolio (9)

(CreativeWork) Water by Irina Moskvina. Acrylic. Shop online at Bluethumb.

Water

Acrylic, 50cm (W) x 40cm (H)

A$360

(CreativeWork) Sunflowers by Irina Moskvina. Acrylic. Shop online at Bluethumb.

Sunflowers

Acrylic, 92cm (W) x 60cm (H)

A$2,450

(CreativeWork) Monarch migration by Irina Moskvina. Acrylic. Shop online at Bluethumb.

Monarch migration

Acrylic, 102cm (W) x 76cm (H)

A$1,700

(CreativeWork) Jacaranda by Irina Moskvina. Acrylic. Shop online at Bluethumb.

Jacaranda

Acrylic, 50cm (W) x 60cm (H)

A$800

Ayden Emini

Sydney

See Portfolio (5)

My Bedroom is an artwork I created during Melbourne’s strict lockdowns. Like many, I was isolated from friends and everyday life—but at the same time, I was navigating the early stages of understanding my sexuality, which added a much deeper, more personal layer to that solitude.

The piece uses dark, moody colours—tones that, for me, felt heavy, sad, and almost suffocating. They reflect the depression and emotional weight I carried during that time. My bedroom, which had always been my safe haven, slowly turned into something more toxic. Without routine or connection, time lost meaning. Every day felt like the one before, stretching endlessly through that year.

This artwork became a way for me to process that experience. It speaks to how spaces—especially ones we rely on for comfort—can shift in meaning when we’re forced to confront parts of ourselves we’re not yet ready to face. It’s about emotional claustrophobia, the blur of time, and the silent ache of self-discovery in isolation.

my bedroom

Other Media, 910cm (W) x 1220cm (H)

A$1,800

My artwork is highly textured — it’s something you’d understand more by touching than by seeing. When you run your fingers across it, you’d feel a strange combination of surfaces: some parts are hard and solid, almost like dried resin or plastic, while other areas are soft, flexible, and slightly squishy, like aged skin or rubber.

There’s a tackiness to it — that slightly sticky feeling, like touching something that never fully dries. It clings to your skin in a way that’s not comfortable, almost like it's asking you to stay with it, but not in a welcoming way. That unease is intentional. I wanted the textures to speak to emotional discomfort — the way it feels to live in a body or identity that the world doesn’t fully accept.

I also used glitter — not in a glamorous way, but trapped inside the silicone, dulled and distorted. It’s both beautiful and unsettling, like joy that’s been buried or warped.

These textures tell a story of contradiction: the hard and the soft, the sticky and the smooth, the glittering and the decaying. It’s meant to echo the queer experience of being caught between worlds — between visibility and erasure, comfort and rejection, celebration and alienation.

Confronting the fear of vanishing

Mixed Media, 1220cm (W) x 1220cm (H)

A$3,440

This painting, called "Inflatable Summer," is based on a personal memory — one that begins with joy and ends with discomfort. Imagine the feeling of being a child on a hot summer day, the air thick with heat, the scent of sunscreen, and the echo of laughter bouncing off the water. My mother would take me and my siblings to the local pool. We were nearly naked, unbothered, free — our bodies just bodies, nothing more. That feeling of freedom is where this story starts.

The paint used in the artwork is smooth and glossy, like the surface of a plastic pool float — that kind of slick, slightly sticky texture when it's warm from the sun. I chose that finish because it captures the feeling of inflatable toys — those bright, shiny things that held us up in the water and made us feel light.

But as time passed and I got older, my relationship with my body changed. The pool, once a place of fun, started to feel threatening. I began to feel exposed, judged, and disgusted with how I looked. That same near-nakedness that once meant freedom now meant shame.

So this painting — even though you can’t see the colors — holds both of those feelings at once. It’s smooth and shiny like a childhood toy, but beneath that surface, it carries the weight of growing up, of losing innocence, and of learning to see your own body differently. It’s about remembering warmth and joy, but also confronting the pain that can live quietly in the places we once loved.

Inflatable Summer

Mixed Media, 1020cm (W) x 1520cm (H)

A$2,210

The artwork is called Seventh Reflection. It's a piece that plays with texture, space, and the concept of mirrors as portals to other worlds.

Imagine a canvas that feels rough and layered, almost like hardened earth or weathered stone. It's covered in dark materials—thick paint and textured surfaces that absorb light and feel almost heavy to the touch. This darkness gives the piece a sense of depth, like standing on the edge of a void or staring into something infinite.

Embedded into this surface are six small mirrors, each about the size of a hand or smaller. These mirrors are cold, smooth, and scattered across the canvas in no particular pattern. If you were to touch them, you’d feel sudden shifts in temperature and texture—sharp interruptions in the roughness of the surface. They’re reflective, of course, but not just in the literal sense. They're meant to represent moments or glimpses into other realities—windows into different versions of time, space, or even self.

What makes the piece more intriguing is that there's a seventh mirror, but it’s been hidden—completely covered over by dark paint. You can’t see it, and even if you touched the surface, it might not be immediately obvious that something is buried there. It’s meant to evoke mystery—what’s lost, hidden, or unreachable. It suggests the idea that not everything we search for can be found, and not every reflection is visible.

This piece isn’t just meant to be looked at—it’s meant to be felt, physically and emotionally. It invites the viewer—or the listener—to think about perception, alternate dimensions, and the layers of self we can access or lose across time.

Seventh Reflection

Mixed Media, 600cm (W) x 950cm (H)

A$1,490

Nicole Dixon

Wagga Wagga NSW

See Portfolio (5)

Crabs and crustaceans. Great to inspire chefs

Crabs

Mixed Media, 30cm (W) x 42cm (H)

A$170

Flowers in a vase

Bloom

Ink, 30cm (W) x 42cm (H)

A$270

Prawns are my favourite food

Don't Coome the Raw Prawn

Mixed Media, 30cm (W) x 42cm (H)

A$270

Australian sunflowers

Sunflowers

Mixed Media, 30cm (W) x 42cm (H)

A$280

Zeina Kara Ali

Sydney, NSW

See Portfolio (15)

A house with a red roof on a hill

The red Roof House

Acrylic, 90cm (W) x 90cm (H)

A$1,200

Two vases with flowers and to birds

Birds and Jars

Acrylic, 50cm (W) x 50cm (H)

A$800

A hand holding ice cream in an old city street

Ice cream selfie

Acrylic, 60cm (W) x 70cm (H)

A$700

A traditional cafe with Mediterranean ambiance

É Café

Acrylic, 50cm (W) x 60cm (H)

A$700