Acrylic on canvas, stretched and ready to hang.
Signed on the front.
Finished with painted black edges and gloss varnish.
Continuing my ongoing series of paintings focused on interpreting beautiful faces in a style I call Human Topography, "I use overlapping layers of colour and tight contouring lines with an emphasis on sharp edges to create a sort of topographical relief map of the human face."
Signed and dated on the back.