Impressionism-Still-Life (moth). Artist: George Pascalis

Still life painting emerged from the paintings of larger detailed compositions, within larger projects. Historically it has been often combined with figure subjects, especially in Flemish Baroque paintings. Although the still-life painting category is mostly a plethora of engraved silverware items, ceramics, botanical flora, fruit or vegetables; these paintings, also included the subjects of dead game animals; there has been considerable overlap amongst the artists. A still life painting can include a fully depicted background, which puts aesthetics rather than illustrative concerns as a primary focus.
My painting is an impressionistic rendering still life; one concerned with light and shade; with a dark background. There is a light-hearted introduction of an insect (moth), to break up the intensity that, a classical still-life painting is normally known for; my tribute, to still life painting. A study of yellow cherries, apples and peaches.

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My passion for the Fine Arts has led me on a journey through the rich tapestry of art movements, inspiring me to experiment boldly with a variety of painting techniques.

To best describe myself and my Fine Art work, I'd say I’ve always sought new ground to explore, using different ways to create and trying new methods in the search for excellence within recognised Art movements. My artwork, created these days, is done individually, focused on personal and private appreciation; a fine painter and artist creating solely for private collectors who share my vision. My enjoyment is producing oil paintings of the highest quality for discerning collectors.

George Pascalis–Artist CV:

Throughout my career in Sydney, I immersed myself in the vibrant world of art as a Fine Artist, Senior Art Director, and Artist-Illustrator. I collaborated with leading Ad Agencies and Art & Graphic Design Studios, all while nurturing my passion for Fine Art through life drawing, portraiture, landscapes, still lifes, and contemporary abstract works. As a self-employed Freelance Artist in the Art and Advertising Industry, I thrived in diverse roles, consistently delivering exceptional conceptual Advertising Art, Graphic Design, and Illustrative Artworks. My dedication was recognised with several awards, including the Australian Writers and Art Directors 1986 Advertising Award for Design and Art-Illustration. Highlights of my career include illustrating Australian native birds for BHP Stainless Steel calendars, designing and illustrating booklets and brochures, creating Impressionist-inspired pieces for Deloitte Touche Thomatsu, and depicting native animals for Yeramba Estates.

George's studio is on the Gold Coast, Queensland.