Photo-bomber at Flinders Street Station

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A$460

Artwork Details

Medium Acrylic, Ready to hang
Dimensions 80cm (W) x 39.5cm (H) x 2cm (D)
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Artwork Description

Fun, busy, pre-occupied, in a hurry, late, this painting is about the people in Melbourne today. Based around Flinders Street station, I sketched people going about their business and then my daughter photo-bombed a sketch and I just had to include her. I am very influenced by the work of Melbourne artist Wendy Sharpe and her depiction of people, colour and movement. I am also influenced by the work and observational work of David Hockney. This panting is another in a series of work about the people we live with today.

Artist Bio

I graduated from Lancaster University in 1992 with a degree in Visual art and London University in 1994 with a Graduate Diploma in art education. In 2002 I moved to Melbourne and joined The Beaumaris Art Group to continue my art practice in painting and teaching. In 2016 I joined Le studio in Mordialloc and have been painting and teaching from my studio here ever since. As well as exhibiting in various galleries, I have been selling my work nationally and internationally.

I am very interested in people and I love loving in a big city, so a lot of my work includes people. My work is mostly figurative, usually acrylic on canvas, and mainly set in urban landscapes. Most of my work begins with a sketch or photograph taken from life, a street scene in Melbourne, a train on a Japanese subway or an alleyway on a walk with my dog. I am constantly looking at people, buildings and trying to grab something ordinary or extra-ordinary that intrigues me. I let these images sit in my unconscious for a while to allow time to think about how I want paint that image, when I am ready to paint that image and how I would like it to ‘feel’. Light, colour and perspective are very important in my work, I subconsciously create windows and employ the use of one vanishing point to entice the viewer into the painting. My paintings are a merge of the narrative, figurative and imagination. While life goes on, I will never run out of subject matter to paint. The challenge is to paint a ‘better’ painting every single time.