Bright, fluorescent, intriguing, funny, multi-sensory, this piece of work attempts to represent the experience of the recent installation at Fed Square; the Arboria. A 32 metre inflatable sculpture of brightly naturally lit tunnels and domes , this sculpture allows the viewer to walk through and experience a completely unknown landscape and interior. Whilst most visitors tried to capture photos of the space absent of people, my focus was to capture the atmosphere not just through the colour and architecture but also through the people inside it, the colours reflecting off them and their sense of intrigue. This piece is multi-dimensional as I wanted to exaggerate the depth of the tunnels by building up the surface of the canvas with balsa wood. The painting changes like the Arboria itself depending on the amount of light upon it, at times it is so bright it shoots light from it onto the surrounding walls.
RED WORLD!
Artwork Details
Medium | Acrylic, Canvas, Ready to hang |
Dimensions | 101cm (W) x 50cm (H) x 5cm (D) |
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Artwork Description
Artist Bio
I graduated from Lancaster University in 1992 with a degree in Visual art and London University in 1994 with a Graduate Diploma in art education. In 2002 I moved to Melbourne and joined The Beaumaris Art Group to continue my art practice in painting and teaching. In 2016 I joined Le studio in Mordialloc and have been painting and teaching from my studio here ever since. As well as exhibiting in various galleries, I have been selling my work nationally and internationally.
I am very interested in people and I love loving in a big city, so a lot of my work includes people. My work is mostly figurative, usually acrylic on canvas, and mainly set in urban landscapes. Most of my work begins with a sketch or photograph taken from life, a street scene in Melbourne, a train on a Japanese subway or an alleyway on a walk with my dog. I am constantly looking at people, buildings and trying to grab something ordinary or extra-ordinary that intrigues me. I let these images sit in my unconscious for a while to allow time to think about how I want paint that image, when I am ready to paint that image and how I would like it to โfeelโ. Light, colour and perspective are very important in my work, I subconsciously create windows and employ the use of one vanishing point to entice the viewer into the painting. My paintings are a merge of the narrative, figurative and imagination. While life goes on, I will never run out of subject matter to paint. The challenge is to paint a โbetterโ painting every single time.