Red Centre

Verified Artist Certificate of Authenticity Included

A$490

Artwork Details

Medium Mixed Media, Other
Dimensions 25cm (W) x 20cm (H) x 4cm (D)
Review Stars 21,251 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from VIC

Tuesday, Jun 16 - Thursday, Jun 18

Artwork Description

Part of a series of semi abstract collage artworks inspired by the Red Centre of Australia. This ancient landscape, millions of years old, features massive rocks arising from the dusty red earth,, with scrubby plants and occasional waterholes when it rains. The colours of the Red Centre are vibrant and glowing, the sky a brilliant blue, the rocks are red, orange, purple and grey. Sunrise and sunset are truly magical.

This piece has been created on a cradled panel, the sides are natural timber with a fine black keyline at the top edge. The deep 4cm sides make it a great piece to sit on a table or shelf, or it can be hung on a wall with wiring provided. Combines perfectly with others in the series.

Painting with paper……this piece is mostly collage using papers I have painted myself. My process begins with underpainting the design using acrylic paints, and then meticulously tearing and cutting shapes from my large collection of painted papers. These pieces are individually glued into place. The final steps include small touches of colour with a variety of dry media, pencils, acrylic markers, whatever is needed to bring it to life. The surface has a gentle tactile feel.

This painting was created on a cradled wood panel, and has been finished to show the wooden sides perfectly, with just a fine black edge between wood and art. The whole painting, and the timber edges, have been finished with a soft satin varnish to protect it, and to enhance the colours.

Ready to hang, no framing is required.

With signed Certificate of Authenticity

Artist Bio

My creative journey continues…..it’s been a life filled with waves of learning and growing and discovery. All while my personal world has changed……cycles of working to earn a living, being a stay-at-home mum, back to working again, and now a Grandma to 6. And, as we are all aware, the world has changed around us, bringing new challenges, and new opportunities.

Right now, in my 70’s, the need to express myself creatively has never been stronger. I live on the Mornington Peninsula, Victoria, by the beach. It is quiet and peaceful and sleepy for most of the year, but comes alive on sunny winter weekends, and in the summer when our population explodes. The sea change I made a few years ago has definitely influenced my paintings, but I also draw heavily on my dreams, which are vivid, bizarre, and inexplicable for the most part. But I am also inspired by places I have travelled to, and my enduring love of gardening. When I’m not in my little studio, you will find me in the garden, or on the beach.

I would call myself an intuitive abstract painter, I often start out with no idea of what I will create, just playing with paint, collage, dry media, inks, whatever is at hand, letting my emotions free, the music playing, my heart open to whatever will appear.and something always does - it might take just a few layers, it might take weeks or even months. I’ve learned to trust my creative instincts, and to let each of the many layers in my paintings develop in their own way, informed by what is already present on the canvas. I know it’s finished when there is nothing more that needs to be said…..nothing more I could add, nothing that needs to be obscured or removed.

Recently I have been exploring my version of collage as a medium…..painting with paper. I start out by creating hand painted papers in a variety of colours and textures. Sometimes I use a gel plate to create layers on the paper, sometimes I paint directly onto the papers. My studio now has a very organised system for storing those papers until they are needed. Next I create a simple painting on heavy archival paper, or on a cradled wood panel, to establish the design, values and colours. Then comes the process of selecting papers to fill each part of the painting - the patterns and textures really make the painting come alive in unexpected ways. Whilst I mostly use papers I have created myself, occasionally I include a few pieces of papers from my collection of special pieces, pages from old books, old sheet music, stamps from my father’s collection, a drawing done by a grandchild, bits of memories that hold special meaning to me. These collages are a lot of work, much more than just a painting, but they shine with depth, and offer a textural sensory feeling. The final finish is a satin varnish.

The greatest pleasure for me is when one of my paintings speaks, in its own way, to the viewer. My collectors know why they need to add my paintings to their walls….and I love knowing that a painting has found its forever home.

My inspiring studio is located in a beautiful old light filled space at Dromana Creative Hub and Gallery on the Mornington Peninsula where my art is also available to view in person, and I’m surrounded every day by creative people and stunning art. I’ve never been happier.

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Commissions

Helen's studio is in Mornington Peninsula, Victoria