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Artwork Description

Acrylic on wood, ready to hang.

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About
Crut 2
In creating this piece, I embraced a whole bunch of emotions, using acrylic, oil, graffiti, and ink with a raw intensity. My brushstrokes flirt with abstraction and pop art edges, stirring a semi-abstract narrative. This painting pulsates with life's unpredictable rhythm, splashing warmth and passion onto the canvas, destined to inject a dynamic energy into any space.

Subject
Communication to the masses. Text in the environment can mark territory, give control and can validate those, who don’t have a voice in the mainstream order. Through mark-making in the environment everybody can be heard. I see beauty and at times, desperation in the messages, found in the streets, and in the abandoned, underground and derelict spaces. Layers of tagging, graffiti and found marks on weathered surfaces tell stories about the past, present and future. Aesthetically they can be beautiful, even though they may have been painted illicitly on a wall, or other surface’s.

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Medium

acrylic paint, oil pigment, paint pen, gesso paint on cradled birch wood artist panel. (Unframed) Ready to hang with all hardware on the back.

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Ready to hang

This artwork is ready to hang.

All art by Jenny Davis

Graffiti style artwork with text and stencilling, on braced board.  Deep red , pink and light pink painting on a weathered background. White and pale pink layers of acrylic paint with oil pen marks marks showing through translucent layers. Ready to hang. Unframed. Graffiti style artwork with text and stencilling, on braced board.  Deep red pink and light pink painting on a weathered background. White and pale pink layers of acrylic paint with oil pen marks marks showing through translucent layers. Ready to hang. Unframed. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant  as the other. In making this piece, I immersed myself in a process of creative abandonment, combining  splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each  stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.

Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant  as the other. In making this piece, I immersed myself in a process of creative abandonment, combining  splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each  stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.
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