This artwork grew out of a desire to represent more Philippine people in my paintings, mixed with my current keen interest in incorporating more obvious warm light / sunlight, and using the fauvist colour palette I observed at my visit to the Hungarian National Gallery. Since I tend to paint people / figurative work more than any other subject, I have been thinking about how I can reflect and weave in more of my own culture, as I am on my own path of figuring out what it means to be a Filipina who has fully grown up in a western environment and mindset.
This scene recalls visits back to the Philippines when I was much younger, sitting on hand made wooden chairs and stools in a backyard with cement floors and high walls, and a cup of milo in hand. Questions and comments from relatives are in Tagalog, and answers are in English. Inside the house and beyond its walls, it's noisy. But out in the backyard it's a little more subdued as there is an awkwardness in trying to converse with family that you hardly know or haven't seen in a long time. It's humid and warm and the fruit trees provide little shade, but you wear your baggy jeans because they are familiar and comfortable, and a top with butterfly sleeves - although somewhat cliched, you hope it will help you blend in.
This painting would also look great in a black, gold or natural wood frame. This painting comes unframed but framing can be arranged through Bluethumb.
A matte varnish has been applied to this painting. (as I do for all of my paintings). I've tried my best to provide clear and accurate photos of this work, but please note that colour nuances may not be captured perfectly by digital media and vary from screen to screen.
More photos of this artwork available on my Instagram: @jhoannamonteart.