Imari lidded pot with fruit... by Jos Kivits

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The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

Jos Kivits
141 artworks

Queensland, Gold Coast, Australia

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Artwork Description

Signed on the front.

This artwork comes with an external frame

The Antique Imari pot, I once had in my possession, was the main inspiration to start this composition. Although the painting is not big, the quality of the work makes up for that. Something one can enjoy for a long time.

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Medium

compound gessoed board

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#Imari, #antique pewter, #Antiques in art, #Modern ald style art, #New old master, #Original oil painting, #classic still life art, #Modern master, #dark blue, #pink

Jos Kivits
141 artworks

Queensland, Gold Coast, Australia

Ask Jos a question

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All art by Jos Kivits

A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors.

It is a work I cannot get away from as it is in my soul to paint what every eye can see without the help of any kind of trickery or

Painted in 2005 and several times perfected and varnished over the years. This very work has never been exhibited, although one similar depicting different objects was revealed in Jos’ 2018 exhibition.

The style and technique is considered ‘Classical European’ and first exposed to Australia by some well-known earlier artists like Hans Heysen, Arthur Streeton, & Besie Davidson.

Classic painting style,
A classic realistic rendering of a small harvest of fruit placed on a stone ledge.

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