Imari lidded pot with fruit... by Jos Kivits

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The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination.

Jos Kivits
142 artworks

Queensland, Gold Coast, Australia

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Artwork Description

Signed on the front.

This artwork comes with an external frame

The Antique Imari pot, I once had in my possession, was the main inspiration to start this composition. Although the painting is not big, the quality of the work makes up for that. Something one can enjoy for a long time.

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Medium

compound gessoed board

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#Imari, #antique pewter, #Antiques in art, #Modern ald style art, #New old master, #Original oil painting, #classic still life art, #Modern master, #dark blue, #pink

Jos Kivits
142 artworks

Queensland, Gold Coast, Australia

Ask Jos a question

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All art by Jos Kivits

A portrait of an room or office with the books, paper, watch and Delft lidded Tobacco pot, and old long pipe. An allegory of study and contemplation.

Just a few objects found in the house of a deceased uncle who was reading the paper while having his last smoke from the Ming tobacco pot (which lid is invisible behind the box. The box with some small personal trinkets, a small checkered pill box, and an empty red glass flower vase, as he was a widower and did not like to see dying flowers in his house anymore.

A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors.

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