4.8 21,742+ Bluethumb reviews

EqualLibrium

Acrylic, Paper (Requires Framing)

60cm (W) x 56cm (H) x 0.1cm (D)

  • Original · Handmade
  • Signed by the artist
Karen Gingell Verified artist
Melbourne Australia
24 works sold

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

Artwork only · unframed

A$290

4.8 · Free returns

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Arrives 21 to 23 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

Sold by Karen Gingell
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7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

  • Original
  • Handmade
  • The Only One

Artwork Description

A precarious balance. Has a tipping point been reached? A tension destined to be broken.

Artist Bio

I am a Melbourne based artist. My work includes both drawings in charcoal, graphite, colour pencil, pastels, extensive use of various erasures and oil and acrylic paintings. After leaving work as an IT professional I devoted myself full time to my arts practice. I am an active member for over 14 in Open Studio and now enrolled in Expanded Practice at The Art Room in Footscray. There I have attended numerous courses covering the fundamentals of drawing and painting, colour theory and workshops in life drawing, composition, abstraction and more.

My earliest inspirations were the works of Aubrey Beardsley and Ergon Schiele. I think these influences can be detected in much of my work. Lately with the physical, mental and emotional impact of the pandemic, the lockdowns and isolation my work has become more introverted and introspective. I depict ordinary objects, flora and fauna in surreal nature surroundings. I enjoy experimenting with different mediums and methods. I begin with a basic concept. I may then push, pull, erase, cover, wipe out during the process of completing the finished piece. This process often leads to a completely unexpected result, which usually makes me happy.

As I work quite a bit on paper in graphite and pastels the cost matting, framing of my drawings under glass and shippin is expensive and best done locally by the buyer, who is the best judge of how framing will compliment their decor.

Commissions

Karen's studio is in Melbourne Australia