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Artwork Description

“Bohra The Kangaroo”
Legend has it that there was a time in blackfellow land when the night came down like a black cloud and veiled the world in darkness letting neither moon nor stars be seen. But as Bohra liked to feed at night, he objected to this darkness. Being a great wirinun, he put an end to it by just rolling the darkness back as if it had been a rug and let it rest on the edge of the world while the stars and moon shone out.
Bohra was very pleased with himself as he could now see to feed during the night and he could go about as he pleased on his four legs, for in those days Bohra went on all fours like a dog. One night as he was feeding, Bohra saw a number of fires ahead and heard sounds of many voices singing. As he got closer, he saw strangely marked figures dancing round and round the firelit circle. The voices grew louder and louder as the boomerangs clicked faster and faster and then the noise died away into silence, the figures stopped dancing and disappeared into the bush. Bohra felt as he had watched them, a strong desire to dance too. He reared himself on his hind-legs balancing himself with his tail and jumped round and round the ring behind the last man. The men turned and saw Bohra standing on his hind-legs and looked in wondering terror at him. The men began to dance again and Bohra just tried to do as they did. Leaving Bohra to himself in the ring, the men went away and after a long interval came back wearing rough looking tails of grass bound around their waist belts and began jumping round the ring as Bohra had done with their long tails waggling behind them.
When they stopped, an old tribal wirinun told Bohra that because he had come to their corroboree without being asked, he must be punished. He did not want to kill Bohra as he had shown them a new dance but as punishment, his tribe for ever after, shall move jumping on their hind-legs and their forefeet shall be as hands and their tails shall balance them. The tribal wirinun also made Bohra a tribal brother and as such, must forever keep silent their secret rites. As part of Bohra’s initiation into the tribe, his canine teeth were knocked out and his tribe, to this day, have never had these teeth since.
Ever since the men of the Bohra tribe have put on their false tails and danced the kangaroo dance at sacred corroborees as when Bohra was bewitched into going on two legs, so starting a way which all kangaroos have had to follow since and this was how they learnt to hop as they do.

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Medium

High Quality Acrylics with Gloss Varnish on Cotton Canvas, Stretched ready to hang with painted sides FRAME NOT INCLUDED

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This artwork is ready to hang.

Tags#gift, #australia, #dot painting, #Kunja Wildlifeart, #aboriginal, #CUNNAMULLA, #BOHRA, #kangaroo

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.

All art by Cynthia Farr Baruŋgam

Aboriginal art is a window into the rich tapestry of Indigenous Australian culture, embodying millennia of traditions and storytelling. The intricate layers of acrylics in such artwork not only add depth and texture but also symbolize the complex layers of history and spirituality that are intrinsic to Aboriginal life. The use of varnish not only protects the painting but also enhances the vibrancy of the colors, much like the resilience of the culture it represents. The inclusion of a wire for hanging and protective paper on the backside signifies the care and respect given to the artwork, ensuring its longevity for future generations to appreciate.
The use of acrylic paints allows artists to express cultural identity boldly. Each stroke and color choice resonates with the spirit of the land and its people. The dynamic composition of such a painting reflects the complex relationship between the artist and their heritage, a dance of vibrant hues and textures that brings to life the stories and ceremonies passed down through generations. The glossy varnish finish not only protects the artwork but also enhances the depth and intensity of the colors, making each element stand out in sharp relief against the canvas.Embracing Indigenous creativity is paramount in exploring Aboriginal art. To create this artwork, the artist meticulously selected vibrant colors to bring forth a dynamic visual experience. They incorporated layers of mixed media and Liquitex Soft Gel to enhance the overall aesthetic of the piece. The application of Liquitex Soft Gel served multiple purposes: it not only increased surface gloss, color depth, and transparency but also extended the color's reach without compromising the acrylic's stability. Moreover, it imparted an oil-like color to heavy body paint, enriching the texture and finish of the artwork.Immerse yourself in the timeless wisdom of Aboriginal art. I have created a stunning painting with vibrant colors. It has layers of acrylics mixed with Liquitex Soft Gel, which increases surface gloss, color depth, and transparency. Experience the timeless wisdom of Aboriginal art like never before! Behold my stunning painting, which boasts vibrant colors and multiple layers of high-quality acrylics expertly blended with Liquitex Soft Gel. This unique combination creates a mesmerizing surface gloss, unparalleled color depth, and brilliant transparency that will leave you in awe!
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