Irises Electric Eden

Irises: Electric Eden imagines a garden alive with its own intelligence. Flowers resemble eyes, cells and mechanical organisms, while insect-like forms move through a dense network of electric blue, violet and green foliage.

The cool botanical forms pulse against a fiery orange patterned sky, creating a vivid tension between nature and technology. Bold outlines, repeated circles and decorative motifs give the painting an energetic visual rhythm. Playful, watchful and slightly otherworldly, this imagined ecosystem suggests nature continuing to adapt, communicate and evolve.

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Leon Fernandes is a richly expressive painter with a deep interest in psychological and spiritual themes. From his longstanding series of hilly landscapes to his more recent embroideries, he is always challenging preconceptions about subject matter, colour, and media. A queer artist with an atypical mind, his work has extraordinary emotional range; he investigates the world with a combination of brutal honesty, intellectual curiosity, and pure joy. Leon draws strongly on his mixed European and South Asian heritage, repurposing Catholic and Hindu iconography and fearlessly hybridising the sacred and the profane. His depiction of Krishna smoking meth outside the Imperial Hotel (Krishna in Erskineville, 2017) provoked a heated public conversation about the role of art and artists in Australian culture. Leon’s approach to canvas is just as unrestrained, using oils, acrylic, spray paint, machine embroidery, and found fabrics to produce richly textured and layered works.

He lives in Newtown, Sydney, Australia.