Sacred Ibis 2021

Oil, Canvas, Framed by Artist

105cm (W) x 80cm (H) x 4cm (D)

Certificate of Authenticity Included
A$2,800

Artwork Description

This painting lifts the status of these unpopular birds to one of majesty, usually reserved for Cranes in Oriental art. Sometimes I look at our Ibis feeding in the Cook’s River or the wetlands at Sydney Park, and with the help of the Weeping Bottlebrush trees and water, they remind me of a Ukiyo-e print.
This layered oil painting sits somewhere in between representation and abstraction - which is a place my art journey seems to be pushing me towards lately.
My art practice is centred around drawing. I sketch Plein air in watercolour and inks, then either complete or recreate the works back in the studio in different mediums as is the case with this large work in oils.
My intention is to capture the raw energy and spirit of the initial sketches outdoors. Like my drawings, my paintings are created predominantly using expressive lines and gestural marks. I like working with Chinese calligraphy brushes to capture movement and create flow within the lines.
Framed in a beautiful Raw Oak box frame and ready to hang, this statement painting would make a beautiful feature on the wall of your Australian home.

Artist Bio

Floriosa is the botanical painting practice of Australian artist Sally Browne.
I've been making art for as long as I can remember. What was meant to be a one-year trip from the UK to Sydney in 1994 somehow became a permanent move, and Australia has been home ever since.
Much of my work begins outdoors. I love wandering through suburban streets noticing flowering trees, plants spilling over fences, unexpected colour combinations and the small details that most of us walk straight past. I often come home with armfuls of flowers, seedpods and odd little cuttings that eventually find their way into my paintings.

Although my work begins with observation, it rarely stays there. A vase of flowers, a flowering gum or a bird perched in the garden might provide the starting point, but colour, memory and imagination soon take over. I'm less interested in painting a particular flower than in capturing the feeling of being surrounded by nature.

Before becoming a full-time artist in 2015, I worked in graphic design, surface pattern and printmaking, experiences that continue to influence my love of colour, rhythm and composition. I'm also inspired by the simplicity and spontaneity of Chinese and Japanese ink painting, though over the years my own work has evolved into a looser, more contemporary style.

Alongside Floriosa, I maintain a contemporary fine art practice under my own name, exhibiting regularly throughout Australia. Over the past decade I've been fortunate to place hundreds of original paintings into private collections both here and overseas. These days, if I'm not in the studio, there's a good chance I'm wandering around Sydney with secateurs in my bag, bringing home flowers, seedpods and whatever else catches my eye.