Tania Matilda
132 artworks

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Melbourne, Australia
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Artwork Description

Oil on wood, ready to hang.

Signed on the back.

Cezanne raised the question of there being simultaneous viewpoints in art to which Picasso and the Cubists replied with their experimentation through fragmentation. “…by reducing all forms to a combination of cubes, cylinders, and later facets and planes with sharply defined edges. The purpose of this simplification was to be able to construct the most complex view of reality ever attempted in the visual arts.” (Berger, 1965, p.59) The use of cubism and its simplified shapes and forms is an invaluable tool to convey a large amount of information. By simplifying forms and fragmenting them as the cubist did I intend to investigate ideas around the compression a large amounts of information into the one image, examining ideas around confusion through information within our contemporaneity. . Everything that can be seen can be broken down to shapes and colours. I break down the visual and simplify it to shapes and then fragmenting and merging them to produce an abstract image.

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Medium

Oil on board

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Ready to hang

This artwork is ready to hang.

Tags#abstract

Tania Matilda
132 artworks

Follow
(122)
Melbourne, Australia
Follow
(122)
Ask Tania a question
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All art by Tania Matilda

The technique I use to create my work is similar to the ‘Automatic Drawings’ which was developed by the Surrealists to produce drawings from the unconscious. Only when deciding what colours to use do I consider what the final piece will look like which gives a balance of absolute abstract with no control and a considered deliberate piece of artwork. As the work is abstract with a hint of the representational the viewer can interpret the work in any way they wish. It’s like looking at clouds with one person saying they can see a lion and another saying they can see a pineapple. The titles I give to my work usually bare no connection to the work itself apart from how I’m feeling at the time of creating the work. As the work is not consciously meaningful, I don’t like to give the viewer an explanation as to what I think the image means or resembles but instead, an insight on how I felt on that day in my studio when the work was created. This work was created on recycled wood, an old cupboard door of sorts. The wood of the item frames the artwork so no other frame is needed.The technique I use to create my work is similar to the ‘Automatic Drawings’ which was developed by the Surrealists to produce drawings from the unconscious. Only when deciding what colours to use do I consider what the final piece will look like which gives a balance of absolute abstract with no control and a considered deliberate piece of artwork. As the work is abstract with a hint of the representational the viewer can interpret the work in any way they wish. It’s like looking at clouds with one person saying they can see a lion and another saying they can see a pineapple. The titles I give to my work usually bare no connection to the work itself apart from how I’m feeling at the time of creating the work. As the work is not consciously meaningful, I don’t like to give the viewer an explanation as to what I think the image means or resembles but instead, an insight on how I felt on that day in my studio when the work was created.The technique I use to create my work is similar to the ‘Automatic Drawings’ which was developed by the Surrealists to produce drawings from the unconscious. Only when deciding what colours to use do I consider what the final piece will look like which gives a balance of absolute abstract with no control and a considered deliberate piece of artwork. As the work is abstract with a hint of the representational the viewer can interpret the work in any way they wish. It’s like looking at clouds with one person saying they can see a lion and another saying they can see a pineapple. The titles I give to my work usually bare no connection to the work itself apart from how I’m feeling at the time of creating the work. As the work is not consciously meaningful, I don’t like to give the viewer an explanation as to what I think the image means or resembles but instead, an insight on how I felt on that day in my studio when the work was created.The technique I use to create my work is similar to the ‘Automatic Drawings’ which was developed by the Surrealists to produce drawings from the unconscious. Only when deciding what colours to use do I consider what the final piece will look like which gives a balance of absolute abstract with no control and a considered deliberate piece of artwork. As the work is abstract with a hint of the representational the viewer can interpret the work in any way they wish. It’s like looking at clouds with one person saying they can see a lion and another saying they can see a pineapple. The titles I give to my work usually bare no connection to the work itself apart from how I’m feeling at the time of creating the work. As the work is not consciously meaningful, I don’t like to give the viewer an explanation as to what I think the image means or resembles but instead, an insight on how I felt on that day in my studio when the work was created.
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