Popular Bluethumb Artists | Page 141

Clare O'Hara

Newcastle

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RIPPLE

Acrylic, 124cm (W) x 94cm (H)

A$2,580

GLIDE

Acrylic, 94cm (W) x 94cm (H)

A$2,560

Painted using premium acrylic paints, mixed mediums and a touch of my signature gold flaking detail.

Clare O’Hara prints are printed through a local gallery to guarantee exceptional quality using archival ink.

All prints are limited edition. Prints are delivered with a certificate of authenticity, signed and numbered. All prints are rolled, wrapped in tissue paper, and sent in a mailing tube to be delivered directly to your door.

Printed on Cotton Rag 310gsm.

BLUEY THE COCKATOO Ed. 5 of 50

Reproduction Print, 29cm (W) x 42cm (H)

A$170

Painted using premium acrylic paints, mixed mediums and a touch of my signature gold flaking detail.

Clare O’Hara prints are printed through a local gallery to guarantee exceptional quality using archival ink.

All prints are limited edition. Prints are delivered with a certificate of authenticity, signed and numbered. All prints are rolled, wrapped in tissue paper, and sent in a mailing tube to be delivered directly to your door.

Printed on Cotton Rag 310gsm.

ANNABELLE THE KOOKA Ed. 5 of 50

Reproduction Print, 29cm (W) x 42cm (H)

A$190

Isobel Fekna

Melbourne

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Pigmented Reality Ed. 2 of 4

Reproduction Print, 42cm (W) x 59.4cm (H)

A$300

Zuck Me Ed. 2 of 4

Reproduction Print, 42cm (W) x 59.4cm (H)

A$300

Slip Ed. 2 of 4

Reproduction Print, 42cm (W) x 59.4cm (H)

A$300

Slap Ed. 2 of 4

Reproduction Print, 42cm (W) x 59.4cm (H)

A$300

Anne Jacqueline Lazaroo

Anywhere

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Blue and white ceramic vase

A Vessel of Timeless Beauty

Anne Jacqueline Lazaroo

Other Media, 31cm (W) x 39cm (H)

A$3,120

Little brown sparrow

The Little Wanderer

Anne Jacqueline Lazaroo

Other Media, 30cm (W) x 36cm (H)

A$1,040

Red vibrant Waratah flower

Blooms of Crimson Majesty

Anne Jacqueline Lazaroo

Other Media, 21cm (W) x 29.5cm (H)

A$170

Captivates with vibrant scarlet petals unfolding in a delicate dance beneath the sun's warm embrace.

Scarlet Elegance

Anne Jacqueline Lazaroo

Acrylic, 20cm (W) x 20cm (H)

A$200

TETIANA KOLDUNENKO

Chatswood

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Cloud reflection in lake's still water with a boat in between the sky and the lake.

Between the clouds

TETIANA KOLDUNENKO

Acrylic, 40.5cm (W) x 30.5cm (H)

A$400

shells on the beach

Brought to shore

TETIANA KOLDUNENKO

Oil, 90.6cm (W) x 60.5cm (H)

A$1,500

Afternoon swell at Curl Curl beach

Curl Curl afternoon swell

TETIANA KOLDUNENKO

Acrylic, 50.6cm (W) x 40.5cm (H)

A$600

A light on the grey waves at Narrabeen beach 2022
A glimpse of hope

A glimpse of hope at Narrabeen beach

TETIANA KOLDUNENKO

Acrylic, 75.6cm (W) x 50.5cm (H)

A$1,000

Mike McHugh

Melbourne

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Painted in McHugh's Trentham studio. Blending modern technology with traditional art, the creative journey begins with a carefully crafted prompt that leads to a reference image generated using AI. This image is then skillfully drawn onto a canvas, with the artist making thoughtful adjustments to enhance the piece. The final work is an airbrushed painting, using acrylic paints that brings out the colors and details beautifully of the native Australian Bush Landscape.

Australian Gum Tree Trunk

Airbrush, 76cm (W) x 100cm (H)

A$1,630

Australian Lanscape Gum Tree
Painted in McHugh's Trentham studio. Blending modern technology with traditional art, the creative journey begins with a carefully crafted prompt that leads to a reference image generated using AI. This image is then skillfully drawn onto a canvas, with the artist making thoughtful adjustments to enhance the piece. The final work is an airbrushed painting, using acrylic paints that brings out the colors and details beautifully of the native Australian Bush Landscape.

Australian Ghost Gum Tree

Acrylic, 124cm (W) x 94cm (H)

A$2,680

This abstract 1980's inspired painting is one in a series born from a unique collaboration between human imagination and artificial intelligence. Conceived through the lens of my mind’s eye, each painting begins with a vision: a vivid, internal landscape that I translate into descriptive prompts for generative AI. The resulting digital images, while technically impressive, often lack the soul and spontaneity that define true artistic expression.
Rather than presenting these AI-generated visuals as finished works, I use them as reference points—springboards for reimagining the scene through traditional media. In this case, airbrush on canvas becomes the vehicle for transformation, breathing life and texture into a texture that exists nowhere in reality. The final painting is not a replication, but a reinterpretation—infused with emotion, nuance, and the tactile richness that only hand-rendered art can achieve.

1980s art deco

Acrylic, 76cm (W) x 100cm (H)

A$1,040

Blending modern technology with traditional art, the creative journey begins with a carefully crafted prompt that leads to a reference image generated using generative AI. This image is then skillfully drawn onto a canvas, with the artist making thoughtful adjustments to enhance the piece. The final work is an airbrushed painting, that brings out the colors and details beautifully. Unlike any print, or screen the image has silver and metallic tones.

Urban

Airbrush, 121.5cm (W) x 91cm (H)

A$1,800

kerrie mott

Somerset Tasmania

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Erik & Charlotte Deleporte

Sydney

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Shark - Paperbirds

Erik & Charlotte Deleporte

Other Media, 42cm (W) x 32cm (H)

A$300

Koala - Paperbirds - Blue

Erik & Charlotte Deleporte

Other Media, 24cm (W) x 24cm (H)

A$200

Koala - Paperbirds - Pink

Erik & Charlotte Deleporte

Other Media, 24cm (W) x 24cm (H)

A$200

Tanya Lake

Bilgola Plateau, Sydney

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Red lilies and blue vases on reflective mirror.

Red Lillies

Oil, 34.5cm (W) x 34.5cm (H)

A$920

Penguin book, hand, fruit and flower colourful still life on a circle.

Love in the Time of Cholera

Oil, 34.5cm (W) x 34.5cm (H)

A$840

Oil on canvas, stretched and ready to hang.

Signed on the front.

A little grouping of some favourite things, a seed pod, my favourite blue bottle & red telephone, and the Penguin Book; 100 Years of Solitude, which felt an apt title during lockdown. I painted a series of 4 small (12" by 12") square still life's of treasured objects on a circular disk and it brought me deep pleasure during uncertain times. It's a gift to rebalance by focusing on colour, on shadow and the significance of certain objects.
Framed in Tasmanian Oak Shadow Box frame.

The Red Telephone

Oil, 34.5cm (W) x 34.5cm (H)

A$840

A still life of happy things: strawberries, apples, rockmelon, kiwi fruit, red wine (a bottle of Little Wombat), and red roses in a pink vase on a white cloth with a grey wall, dripping with paint...

You can view a time lapse video of the painting of this piece on my instagram: @tanyalakeart

Oil on canvas, stretched and ready to hang.

The Table of Good Times

Oil, 50cm (W) x 60cm (H)

A$1,020

Julie Watkins-Buzacott

Top

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Flower Lady

Julie Watkins-Buzacott

Acrylic, 40cm (W) x 50cm (H)

A$140

Elegant lady wearing a detailed gown

Dreamy girl

Julie Watkins-Buzacott

Acrylic, 94cm (W) x 94cm (H)

A$390

Colourful and happy fish

Coloured Fish

Julie Watkins-Buzacott

Acrylic, 92cm (W) x 92cm (H)

A$280

An elegant pink flamingo on a black background

Pink Flamingo

Julie Watkins-Buzacott

Acrylic, 74cm (W) x 74cm (H)

A$280

Liz Vonhoff

Queensland, Australia I

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