Tranimals #1, Adnyamathanha Country, near Bandioota, South Australia Ed. 1 of 20

Certificate of Authenticity Included

Framing Options

A$1,750

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Artwork Details

Medium Photograph, Paper (Requires Framing)
Dimensions 160cm (W) x 100cm (H) x 0.1cm (D)
Review Stars 21,234 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from SA

Thursday, Jun 11 - Saturday, Jun 13

Artwork Description

Available in multiple size (max edition of 20)
Across the Ikara-Flinders Ranges in 2011 there was a flood this drought-ridden country hadn't seen for decades. The rush of water across the plains encouraged the gathering of dozens of ancient trees near the bed of a river, and this is where they came to rest. These days, the dusty remnants of the creek bed is twenty metres below where these huge sentinels now lay, musing on their disposition while waiting for the next big wet.

Artist Bio

Christopher Houghton is an award-winning filmmaker and nationally acclaimed Adelaide Hills photographic artist. His work captures a view of the Australian landscape we rarely see. With multiple solo and groups exhibition under his belt, Christopher's photographs are represented in private and corporate collection across Australia and the UK.

"As a child, my parents traded their modest house for a caravan, and for years we travelled through the Australian interior. At every opportunity, I left our blue and white tin box to explore the bush. As I learnt the craft of photography, I was less drawn to what I could see and more to what I felt. For me, photography has never been about 'shooting' pictures. It's about expressing the presence of relationship within nature. Becoming intimate with these places over long periods of time is to be a part of a very subtle evolution. I find that I now embrace familial bends in the riverbed, ancient rock and trees like old friends."

Found in remote regions across Australia, Christopher's photographs are meditations on place; a collaboration of rock, wood, earth, air and time. Schooled in traditional practice with a camera hand-crafted by a student of Ansel Adams, Christopher engages a self-devised practice of slow photography. Using analogue film and an old wooden camera, each negative is processed by hand and printed with the best archival inks available on cotton rag or sustainably produced hemp. All photographs come in limited editions and are available in a wide range of sizes.

Commissions

Christopher's studio is in Adelaide Hills