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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed certificate of authenticity.

I moved to Murrayville (population +300) in the Mallee area of Victoria in 1981 to take up the Art teacher position there and stayed for 15 years. When people ask my wife and I what it was like we often reply that it was a 15 year long BBQ set in the beautiful area of the Big Desert. I’ve drawn and painted the Murrayville to Nihl track many times and the big blue sky along with the sandy track is always a spectacular, compelling image. In this artwork I wanted to show what the locals call, The Big Blue Room; that vast, silent landscape that surrounds you when you live in the Mallee.

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Medium

Acrylic on canvas stretched over Art Spectrum arms.

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

Tags#Australian Colin Rowe Mallee Landscape Figurative, #yellow, #dark blue

All art by Colin Rowe

Absurd art that looks at the strange incidents that one encounters from time to time This artwork brings everyday, non – artwork objects together where they acquire strong, symbolic meanings within the context of the whole work. I like the way the pieces contribute to the composition yet still retain their original identity. This artwork brings everyday, non – artwork objects together where they acquire strong, symbolic meanings within the context of the whole work. I like the way the pieces contribute to the composition yet still retain their original identity. 

I feel that in some ways this sculptural technique of organizing into a unified whole a group of unrelated and often fragmentary or discarded objects is a powerful metaphor of how people from various cultures and walks of life can be   bought together and live harmoniously as a whole. 
This artwork brings everyday, non – artwork objects together where they acquire strong, symbolic meanings within the context of the whole work. I like the way the pieces contribute to the composition yet still retain their original identity. 

I feel that in some ways this sculptural technique of organizing into a unified whole a group of unrelated and often fragmentary or discarded objects is a powerful metaphor of how people from various cultures and walks of life can be   bought together and live harmoniously as a whole.
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