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Artwork Description

Acrylic on cardboard

Signed on the front.

This artwork is one of a series that seeks to capture the portraits of exceptional people. It’s a tipping the hat, if you like, to individuals who have shared my life in some way, maybe helped me think or see things differently. I like to use a “Pop Art” aesthetic for these portraits and I like to push the figurative aspect into the abstract. I use a black and white pallet to emphasise the elements of form and shape. It’s interesting how the eye roves over the lines and shapes and, stepping back, sees clarity.This acrylic painting is on acid free art card which is about 3mm thick and ready to frame. The painting has been varnished and there is no real need to frame under glass.

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Medium

Acrylic on card

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Unframed (requires framing)

This artwork is unframed and requires framing.

#Colin Rowe Pop Art Portraits Celebrities Black and white Australian, #light blue

All art by Colin Rowe

Absurd art that looks at the strange incidents that one encounters from time to time This artwork brings everyday, non – artwork objects together where they acquire strong, symbolic meanings within the context of the whole work. I like the way the pieces contribute to the composition yet still retain their original identity. This artwork brings everyday, non – artwork objects together where they acquire strong, symbolic meanings within the context of the whole work. I like the way the pieces contribute to the composition yet still retain their original identity. 

I feel that in some ways this sculptural technique of organizing into a unified whole a group of unrelated and often fragmentary or discarded objects is a powerful metaphor of how people from various cultures and walks of life can be   bought together and live harmoniously as a whole. 
This artwork brings everyday, non – artwork objects together where they acquire strong, symbolic meanings within the context of the whole work. I like the way the pieces contribute to the composition yet still retain their original identity. 

I feel that in some ways this sculptural technique of organizing into a unified whole a group of unrelated and often fragmentary or discarded objects is a powerful metaphor of how people from various cultures and walks of life can be   bought together and live harmoniously as a whole.
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