After Spain 4. Ready to Hang. Original Mixed media art. Abstract Collage on vintage book cover. by Jenny Davis

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A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia

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Artwork Description

Mixed Media on cardboard, ready to hang.

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About
After Spain 4
In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

Subject
Memories of random marks and weathered surfaces, found in the streets of Barcelona, Spain.

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Medium

. Vintage book cover, antique textiles 1800's vintage button, textile pen, rusted wire on vintage book cover. Size 24 x 15cm. Ready to hang.

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Ready to hang

This artwork is ready to hang.

Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia

Ask Jenny a question

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All art by Jenny Davis

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.

Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.

Sitting beside the Seine river in Asnieres, Paris, France. The creation of order out of chaos and the eventual return to randomness.
The antique collage elements, create a textural play with ink blots and stains that tell a story. It's an abstract embrace of vintage aesthetics that speaks of time’s touch on memories. A contemplative piece that invites the viewer to explore the layers of emotion and history threaded within its fibers.

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