Oil on wood
Signed certificate of authenticity.
Please note: I am currently selling off some of my older important artworks. Some have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. (Curator) Ulrich Goette Himmelblau
2005 Tilt Collectors Show Tilt Contemporary Art. Melbourne. Australia. (Curator) Manfred Krautschneider
2004 Affordable Art Fair Exhibition Buildings. Melbourne. Australia. (Curator)Manfred Krautschneider
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Guernsey St. New York.
Grids and city street maps. Geometric abstract oil painting. Brilliant depth with blocks of illuminated yellow , red browns, blue and teal areas. Aerial view, grid pattern of roads New York.
Year 2004
Signed by artist
Certificate of Authenticity
Artist Statement
Through my own observations and mark making, I wish to capture the essence of the past, by
investigating and recording the traces left behind on the surface and the hidden space. I have spent many years, drawing, painting and photographing cities worldwide, alleyways, buildings, drain-holes,
garbage dumps, streets, architecture and doorways. By taking the forgotten marks and
scratches from surface's rarely observed, I want to transform them, raising them to a higher
plateau of awareness by making them more relevant in my work. I use these marks and
scratches as history’s D.N.A.
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .