Buggy by Julie Purcell

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This image of a home-made vehical - a bush buggy was painted en plein air by the artist. This means she painted it while on location not in a studio. This method grants the work a lively and loose look that encapsulates the fun of exploring the Australian bush in a DIY vehical. The Buggy was made by the artist's father and looks like something out of the Mad Max movie franchise. The artist has used desaturated hues including beige, peach and khaki to capture the dry bush setting while the buggy has a hint of camo pattern showing on it's tubular steel form.

This image of a home-made vehical - a bush buggy was painted en plein air by the artist. This means she painted it while on location not in a studio. This method grants the work a lively and loose look that encapsulates the fun of exploring the Australian bush in a DIY vehical. The Buggy was made by the artist's father and looks like something out of the Mad Max movie franchise. The artist has used desaturated hues including beige, peach and khaki to capture the dry bush setting while the buggy has a hint of camo pattern showing on it's tubular steel form.

This image of a home-made vehical - a bush buggy was painted en plein air by the artist. This means she painted it while on location not in a studio. This method grants the work a lively and loose look that encapsulates the fun of exploring the Australian bush in a DIY vehical. The Buggy was made by the artist's father and looks like something out of the Mad Max movie franchise. The artist has used desaturated hues including beige, peach and khaki to capture the dry bush setting while the buggy has a hint of camo pattern showing on it's tubular steel form.

This image of a home-made vehical - a bush buggy was painted en plein air by the artist. This means she painted it while on location not in a studio. This method grants the work a lively and loose look that encapsulates the fun of exploring the Australian bush in a DIY vehical. The Buggy was made by the artist's father and looks like something out of the Mad Max movie franchise. The artist has used desaturated hues including beige, peach and khaki to capture the dry bush setting while the buggy has a hint of camo pattern showing on it's tubular steel form.

Julie Purcell
31 artworks

Redcliffe, Queensland, Australia

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Artwork Description

Oil on wood, ready to hang.

Signed on the front.

This artwork comes with an external frame

Loosely painted desaturated hues define a dry bushland location that sets off the home made bush-buggy. With it's Mad Max style appearance, captured en pleir air, conveys a sense of Aussie DIY mechanical ingenuity.

This Buggy, built by my Dad, aided me while painting en plein air at our Beebo property. Used for location scouting it also doubled as my easel. The metal protrusions of this work on salvaged board suggest a steering wheel and allude to the fun of bush exploration.

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Medium

A contemporary oil painting on upcycled board

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 45.0(W) x 23.0(H).

Artwork dimensions - 34.0(W) x 23.0(H).

Julie Purcell
31 artworks

Redcliffe, Queensland, Australia

Ask Julie a question

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All art by Julie Purcell

An arid meadow dotted with native Australian black pines bakes in the midday sun in this contemporary watercolour made en plein air.

A watercolour painting made in a modern style captures houseboats sitting on mud amongst the mangroves at Dunwich on North Stradbroke Island. The artist made the painting while on location in a method referred to as 'en plein air'. This method grants the painting a fresh and expressive look that suits the subject of beached houseboats waiting for the tide to come back in. The artist strove to capture the colouring and tone of wet mud contrasted with shimmering mangrove tree foliage in the midday sun. Beyond the boats the freedom symbolised by the cloudless sky is conveyed through swift and loose passages of ultramarine and cerulean blue watercolour paint.

A watercolour painting made in a modern style captures the tonal contrast between deeply shaded foliage and glimpses of the sparkling ocean and beach beyond. The artist made the painting while on location in a method referred to as 'en plein air'. This method grants the painting a fresh and expressive look that suits the subject of a hidden bush track that overlooks an epic surf beach on North Stradbroke Island. Many greens and browns dominate the foreground depicting various types of trees and plants growing in a dense tract of bushland atop Adder Rock, the artist rested here after painting other pieces on location in the area. She was inspired by the unusual sensation of dark foreground and light background and sought to show patches of luminous sand and water through gaps in the greenery.

A watercolour painting made in a modern style captures the vastness of a surf beach on North Stradbroke Island, Queensland. The artist made the painting while on location in a method referred to as 'en plein air'. This method grants the painting a fresh and expressive look that suits the subject of wild weather rolling in from the sea. The beach is a beige expanse with lavender shadows falling across it from the large thunderheads above. The wind swept form of a dark skeletal tree in the foreground hints at the danger posed by weather on the island and is formally linked, via shared tonal value, to the mass of stone the artist has depicted in the foreground. This stone implies that she was sitting atop the rock formation as she worked on the piece.

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