The complete list of Bluethumb artists from A to Z. | Page 512

jura stanek

Melbourne

See Portfolio (3)

The monochrome image highlights a pair of heavy, industrial steel furnace doors, weathered by time yet brimming with character. The circular structure is accentuated by bold rivets and intricate mechanical details, showcasing craftsmanship from an era of robust engineering. The text engraved on the doors, “NOVÁK JÁN,” hints at its historical or industrial origins, inviting curiosity about its maker or purpose.

The gritty texture of the wall provides a stark backdrop, enhancing the metallic sheen and rugged details of the doors. This photograph captures the essence of industrial heritage, merging functionality with a sense of timeless artistry.

Brewery

Other Media, 100cm (W) x 106cm (H)

A$1,190

A striking monochrome view reveals the underside of a bridge, its imposing structure slicing through a canopy of skeletal tree branches. The stark contrast of black and white enhances the timelessness of the scene, evoking a sense of mystery and history. The bridge looms like a silent sentinel, its industrial lines juxtaposed against the wild, organic shapes of the surrounding forest.

This composition captures a fascinating interplay between human ingenuity and nature’s persistent beauty, hinting at stories of journeys taken long ago. The upward perspective draws the viewer’s gaze to the sky, inviting contemplation of the connection between past and present, structure and wilderness.

Across the valley in 1873

Other Media, 94cm (W) x 118cm (H)

A$1,320

A striking monochrome view reveals the underside of a bridge, its imposing structure slicing through a canopy of skeletal tree branches. The stark contrast of black and white enhances the timelessness of the scene, evoking a sense of mystery and history. The bridge looms like a silent sentinel, its industrial lines juxtaposed against the wild, organic shapes of the surrounding forest.

This composition captures a fascinating interplay between human ingenuity and nature’s persistent beauty, hinting at stories of journeys taken long ago. The upward perspective draws the viewer’s gaze to the sky, inviting contemplation of the connection between past and present, structure and wilderness.

Across the valley in 1873

Other Media, 118cm (W) x 79cm (H)

A$1,320

Jura •

Australia

See Portfolio (2)

Pattern of Aboriginal women symbols connected

Women's Society

Acrylic, 46cm (W) x 46cm (H)

A$550

Just Potts

Northern New South Wales

See Portfolio (18)

Marine Reef Ed. 2 of 25

Giclée, 42cm (W) x 29cm (H)

A$110

One perfect day Ed. 4 of 25

Giclée, 42cm (W) x 29cm (H)

A$110

Bliss Ed. 1 of 25

Giclée, 29cm (W) x 21cm (H)

A$90

The Pass Ed. 5 of 25

Giclée, 42cm (W) x 29cm (H)

A$110

Justin Lees

Newcastle, NSW

See Portfolio (32)

(CreativeWork) Doomed User by Justin Lees. Mixed Media. Shop online at Bluethumb.

Doomed User

Mixed Media, 42.2cm (W) x 59.1cm (H)

A$430

Infinite Sadness

Oil, 84cm (W) x 124cm (H)

A$3,710

Arm, Arm, Chest Dive

Oil, 84cm (W) x 124cm (H)

A$3,710

Burn In

Mixed Media, 42.2cm (W) x 50.1cm (H)

A$430

Justin Murray

Melbourne, Victoria

See Portfolio (7)

(CreativeWork) Mother and Child by Justin Murray. Oil. Shop online at Bluethumb.

Mother and Child

Oil, 76.2cm (W) x 50.8cm (H)

A$820

(CreativeWork) Gliding by Justin Murray. Oil. Shop online at Bluethumb.

Gliding

Oil, 76cm (W) x 51cm (H)

A$820

(CreativeWork) Road to Jaipur by Justin Murray. Oil. Shop online at Bluethumb.

Road to Jaipur

Oil, 50cm (W) x 40cm (H)

A$450

(CreativeWork) Portrait of the Artist by Justin Murray. Oil. Shop online at Bluethumb.

Portrait of the Artist

Oil, 40.5cm (W) x 30.5cm (H)

A$350

Justin Bishop

Gurambilbarra (Townsville)

See Portfolio (9)

Black rectangular shape on a bright blue background with a bowl like shape with marks resembling rain.

Blue Table

Oil, 140cm (W) x 90cm (H)

A$980

5 circular shapes, 1 white and 4 dark blue sit within a dark blue background of varying cool colours of horizontal striations

High tide and green grass

Oil, 144cm (W) x 144cm (H)

A$1,550

Two large red irregular circles are placed to the left side of a peach/ yellow background.
Two horizontal stripes extend from each shape to the right .
The background is broken up with small vertical marks

Oncoming heat

Oil, 144cm (W) x 144cm (H)

A$1,550

The composition is comprised of three ovular shapes placed within a background of reds, oranges and blacks similar to glimpses of peering through trees at speed in a car. A horizontal line provides a separation of plane in an effort to depict the vertical rising of the ovular shapes representative of souls. The white overpainting binds the image together for visual cohesion and sets the intended mood and emotive context of the piece.

Departure

Oil, 144cm (W) x 144cm (H)

A$1,550

justin wohl

Sydney

See Portfolio (2)

Natural Rhythms

Acrylic, 140cm (W) x 140cm (H)

A$1,910

Scarlet Harmony

Acrylic, 140cm (W) x 140cm (H)

A$1,800

Justin Herbert

Melbourne

See Portfolio (1)

justin elder

Top

See Portfolio (1)

Justina Grocott

Brisbane

See Portfolio (4)

A circular painting about the width of an outstretched arm hangs quietly on a wall. In the centre sits a young woman in a soft pink dress, turned slightly away as though lost in thought. Beside her is a small glowing lantern resting on the ground, casting a gentle warmth rather than a bright light. A tiny white flower grows nearby.

The painting is made with loose, layered brushstrokes, so the figure almost dissolves into the pale background of creams, greys, soft greens, and dusty pinks. Nothing is sharply defined. Instead, it feels hazy and fragile, like a memory or emotion rather than a literal scene

A Companion To Pain

Justina Grocott

Oil, 60cm (W) x 60cm (H)

A$1,330

A small atmospheric landscape painting of a rural farm scene. A dirt road curves through dry golden paddocks toward distant blue farm gates beside a dam. Soft green trees sit in the foreground beneath a grey, cloud-filled sky. The image is painted with loose, block-like brushstrokes in muted greens, blues, greys, and ochres, giving the landscape a hazy and memory-like appearance. The blue gates partially blend into the surrounding scenery, creating a quiet sense of age, stillness, and endurance within the Queensland countryside.

Beyond Blue Gates

Justina Grocott

Oil, 25cm (W) x 20cm (H)

A$280

A quiet country road disappears into the distance beneath a heavy grey blue sky. On the left side of the painting, a weathered white road sign reading “Lovers Lane” leans slightly amongst overgrown grass and scrub. The sign is partially softened by the surrounding foliage, as though nature is slowly reclaiming it.

Tall eucalyptus trees crowd both sides of the road, their trunks thin and uneven, stretching upward into tangled branches and muted green leaves. The trees are not painted with sharp realism but with layered, broken brushstrokes that cause the landscape to shimmer and dissolve at the edges. Areas of pale blue, grey, olive green, dusty yellow, and earthy brown sit over one another in fragmented marks, creating the feeling of movement through wind, weather, and time.

The road itself is narrow and slightly uneven, drawing the viewer quietly into the painting before disappearing beyond the bend. Light filters softly through the clouds, casting no strong shadows and allowing the entire scene to feel still, overcast, and reflective.

Older paint layers remain partially visible beneath newer marks, giving the surface a weathered feeling, as though seasons, memories, and years have slowly settled into the land itself.

Lovers Lane

Justina Grocott

Oil, 25cm (W) x 20cm (H)

A$310

A steep roadside embankment rises beneath a pale grey sky, its surface covered in dry grass, exposed earth, and scattered gum trees bending irregularly across the slope. The land is painted in warm ochres, dusty pinks, muted olive greens, and soft browns, giving the hillside the appearance of being sun worn and weathered over many years.

Rather than sharply defined detail, the landscape is built through loose, layered brushstrokes that break apart across the surface. Thick patches of paint sit beside thinner washed areas, allowing glimpses of earlier colours underneath. The marks shift in different directions like disturbed soil and receding floodwater, causing the hillside to feel unsettled and continually reshaped by natural forces.

Along the lower edge of the painting, a narrow roadside verge quietly anchors the scene, hinting at the highway passing through the landscape. The overall atmosphere feels heavy yet still, carrying the lingering tension of a place that has witnessed both destruction and recovery.

Lingering Gently

Justina Grocott

Oil, 20cm (W) x 25cm (H)

A$310