The complete list of Bluethumb artists from A to Z. | Page 821

Pete James

Melbourne

See Portfolio (24)

Back in Black

Oil, 48.5cm (W) x 48.5cm (H)

A$520

Woman and man on beach

The Look

Oil, 61cm (W) x 61cm (H)

A$920

__pete+chrissy angelheart

Queensland

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Large blue and green coastal abstract painting on canvas, inspired by ocean waves and shoreline movement. This contemporary square artwork features fluid acrylic textures with white foam details and soft sandy tones, creating a calming yet dynamic statement piece for modern interiors.

COASTAL ENERGY Large ready to hang statement piece

__pete+chrissy angelheart

Acrylic, 145cm (W) x 145cm (H)

A$4,950

ABSTRACT painting of flowing colours: golds, light golds, ochre, chocolate, royal purple, pink, beige.
It has incredible depth while evoking a feeling of peace!
The closer you get to the painting the more of the interesting details and patterns you can see. Metallics add an extra depth because the painting changes personality when one views from different angles. The sage green adds an extra strip of class!

FLUID LANDSCAPE horizontal or vertical

__pete+chrissy angelheart

Acrylic, 194cm (W) x 76cm (H)

A$1,830

Nature’s Rhythm green and gold abstract painting — large original fluid acrylic artwork with soft sage, aqua and neutral tones, organic textures and subtle metallic detail, inspired by natural movement and coastal landscapes.

NATURES RHYTHM ll green and gold

__pete+chrissy angelheart

Acrylic, 195cm (W) x 76.5cm (H)

A$2,290

ABSTRACT painting of flowing colours: golds, light golds, ochre, chocolate, grey tones, pink, beige, green tones!
It has incredible depth while evoking a feeling of peace!
The closer you get to the painting the more of the interesting details and patterns you can see. Metallics add an extra depth because the painting changes personality when one views from different angles.

VALLEY of GOLD vertical or horizontal

__pete+chrissy angelheart

Acrylic, 160cm (W) x 117cm (H)

A$2,270

Peter Alford

18 Wildwood Hill

See Portfolio (1)

Peter Hill

Wimmera-Mallee

See Portfolio (223)

Still Life with Green Apple

Gouache, 42cm (W) x 29cm (H)

A$360

Still Life with Lemons and White Jug

Gouache, 42cm (W) x 29cm (H)

A$390

Scottish Highlander 1800s

Gouache, 42cm (W) x 29cm (H)

A$260

Landscape near Coleraine western Victoria

Gouache, 42cm (W) x 29cm (H)

A$270

Peter Yu

Sydney

See Portfolio (7)

Morning in Venice

Oil, 125cm (W) x 125cm (H)

A$6,080

Sydney Newtown

Oil, 65cm (W) x 80cm (H)

A$2,660

Sea Rhyme

Oil, 64cm (W) x 64cm (H)

A$1,900

Blue Mountains

Oil, 62cm (W) x 32cm (H)

A$750

Peter Tankey

Victoria

See Portfolio (48)

The reverse side of a street sign on a country road has the phrase 'the joy of not being told anything' spray painted on it.

Pykes Creek Rd, Myrniong

Oil, 40cm (W) x 50cm (H)

A$900

The reverse side of a street sign on a country road with the phrase 'sack them all' spray painted onto it.

Pykes Creek Rd, Myrniong

Oil, 40cm (W) x 50cm (H)

A$900

Peter Campbell

Kingscliff (NSW)

See Portfolio (1)

Contemporary pandanus beach

Pandanus Dreaming

Mixed Media, 56cm (W) x 38cm (H)

A$170

Peter Walker

Phillip Island

See Portfolio (5)

This painting presents a quietly compelling portrait of an older man balancing two roles—caretaker and observer—while standing in a sparse, urban-like setting.

At the center is the dog walker himself: an elderly man with a full white beard and a calm, introspective expression. His posture is slightly inward, one hand near his chest as if mid-thought or mid-adjustment, suggesting a reflective or habitual gesture. Slung across his body is a camera, marking him not just as someone moving through the city, but someone who notices it—someone who frames moments rather than simply passing through them.

He is surrounded by four dogs, each with its own personality and presence. The leashes intersect loosely, creating a web of subtle tension and connection. On the left, a striking blue dog—unnatural in color—draws immediate attention. Its alert posture and forward gaze give it a sense of independence or curiosity, almost as if it exists slightly outside the ordinary world. Next to it, a white-and-brown dog stands more neutrally, grounded and observant. On the right, a taller brown dog leans inward toward the man, suggesting loyalty or attentiveness, while a small white dog near his legs feels more vulnerable, tucked close for security.

The background is minimal and softly blended—muted browns and greys with a diagonal shadow cutting across the space. This lack of detail shifts the focus entirely onto the figures, giving the scene a timeless, almost dreamlike quality rather than a literal depiction of New York.

There’s an emotional duality in the work: the man is surrounded, yet slightly isolated. The dogs connect him to the world physically, while the camera hints at a more internal, observational life. The unusual color choices—especially the blue dog and cool tones in the man’s face—add a layer of psychological depth, suggesting that this is less about a specific place and more about perception, memory, or identity.

Overall, the painting feels like a quiet meditation on companionship, routine, and the act of seeing.

The New York Dog Walker and Photographer

Oil, 102cm (W) x 91cm (H)

A$1,650

nfluenced by my local beach and parkland with reference to the head gear of an English horse.
A picnic in the park with everyone bringing food is a common gettogether.

I find myself drawn into a quiet, slightly uncanny moment in The Horseman’s Picnic, as though I’ve stumbled upon a memory that doesn’t fully belong to me. The figures feel both present and distant—softly outlined, almost dissolving into the landscape—while I stand there holding the scene together in my mind. The women, with their bowls of bright fruit, seem absorbed in a gentle ritual, and I can almost feel the cool grass underfoot and the dampness in the air. There’s a hush here, a stillness that makes even the smallest gestures—passing fruit, turning a head—feel significant, as if time has slowed just enough for me to notice everything.

What unsettles me most, though, is the horse in the foreground, its eye large and watchful, meeting mine with a kind of quiet intensity. I feel observed, almost implicated, as though I’ve interrupted something I don’t quite understand. In the distance, the shadowy figure of the horseman adds a faint tension, contrasting with the softness of the picnic. The brushstrokes are loose and expressive, and I sense the artist’s hand guiding my attention rather than dictating it. As I take it all in, I feel both comforted by the pastoral calm and slightly uneasy, caught between innocence and something harder to name.

The work is an original piece and comes with D-rings and wire ready to hang. The canvas is unframed. The sides are painted in black to set off the artwork. The work has been sealed for protection.

The Horsmans Picnic

Oil, 61cm (W) x 61cm (H)

A$1,050

The woman appears quiet and inward, caught in a moment that feels both delicate and introspective. Her posture is soft and slightly curved, with one hand gently supporting her face while the other rests across her body, suggesting a sense of stillness or contemplation.

The butterfly hovers right at her cheek, almost touching her lips, as if drawn to her calm energy. She doesn’t react with surprise or movement—instead, she seems to accept its presence, as though this encounter is natural or even familiar. Her expression is subdued, perhaps thoughtful or slightly melancholic, with her gaze lowered rather than fixed on the butterfly itself.

There’s a sense of intimacy between the two: the butterfly, often symbolic of transformation or fragility, contrasts with her grounded, human form. The moment feels suspended—like a quiet pause where nothing else exists but this gentle interaction.

Woman with Butterfly Ed. 1 of 1

Monotype, 37cm (W) x 48.5cm (H)

A$780

Peter Walker’s Announcement of the Yacht Race is a vivid, expressionist composition filled with character, movement, and intrigue. The scene is set by the sea under a moody sky, where a group of figures some holding model yachts, others deep in thought or conversation gather in anticipation of an event. Each figure feels part of a larger story, yet distinct in mood and gesture. The bright, contrasting colours of blues, purples, and ochres bring an emotional energy to the scene, while Walker’s gestural brushwork and imaginative stylisation give the piece a dreamlike quality.

Though rooted in figuration, the painting moves beyond realism into the realm of imagination and symbolism. The central figure, dressed in yellow and holding a blue yacht, draws the viewer’s eye, his calm gaze countered by the surrounding flurry of activity. The presence of a dinosaur in the background adds a surreal touch perhaps a reminder of nature’s quiet power in contrast to human performance and ceremony. Announcement of the Yacht Race captures Peter Walker’s lyrical, expressive approach to storytelling through gesture, colour, and emotion.

The canvas is an original piece and comes with d rings and wire ready to hang. The piece is UNFRAMED. Sides are painted in a crisp white to set off the artwork. The work is created in oil paint. All work has been sealed and varnished for protection

Announcement of the Yacht Race

Oil, 61cm (W) x 76cm (H)

A$1,200

Peter Jones

Whitsundays Queensland

See Portfolio (2)

Landscape painted in the Naive style of Manly Cove with the ferry "Baragoola" in the background.

Manly Cove and Wharf with Baragoola 1960 s

Acrylic, 90cm (W) x 60cm (H)

A$380

Manly ferry "Baragoola" crossing the Sydney Heads on its voyage to Manly.

Manly Ferry Baragoola Crossing Sydney Heads

Acrylic, 70cm (W) x 50cm (H)

A$380

Peter Fisher

North Adelaide

See Portfolio (154)

A brightly coloured retired sideshow ride

Sideshow Alley Ed. 1 of 8

Giclée, 77cm (W) x 100cm (H)

A$1,050

Caravan, travel, painted, country life

Painted Caravan Ed. 1 of 10

Photograph, 100cm (W) x 100cm (H)

A$950

Classic NYC wall Street, Concrete Canyon 1990's

NYC, Wall Street , Stop Light 1993 Ed. 1 of 10

Photograph, 60cm (W) x 90cm (H)

A$850

Classic NYC in the 1990's

Stars and Stripes, NYC , 1993 Ed. 1 of 10

Photograph, 60cm (W) x 90cm (H)

A$800