The complete list of Bluethumb artists from A to Z. | Page 822

Peter Henning

Tweed Heads West , NSW 2485

See Portfolio (71)

Early morning pool surprise. Flowers floating in my pool. Carefully redirected some of the flowers and two bonus colored frangipanis among them with nature's harmony. Stretched Canvas with floating frame.

Floating Fangipanies . 02

Photograph, 155cm (W) x 105cm (H)

A$1,880

I'm in the Fiji Islands trying to use the pool and came across this spectacular image. I had to turn some flowers to make it look like this. It comes stretched in a floating frame.

Floating Fangipanies

Photograph, 185cm (W) x 125cm (H)

A$2,170

It is a big canvas 1.5 meters x 1 meter, there are only 30 pieces. If any of you know Fiji, this was in the Yasawas. The Yasawas are an Island group in Fiji. As it happens, I'm there during the rainy season. This is truly a powerful Image. This canvas looks stunning stretched with a floating frame.

PJ 214 Tropical Rain Ed. 19 of 33

Photograph, 160cm (W) x 110cm (H)

A$1,700

I'm not so sure how to describe this image. The water runs off the beach, leaving this amazing tree-lookalike image behind. Because there are so many Boboa Trees on the way from Broome to Darwin, this reminded me very much of such trees. As you can see, you can have this in any of these three colours.

PJ's Boboa Tree on Waters Edge.

Photograph, 75cm (W) x 75cm (H)

A$550

Peter Jones

Whitsundays Queensland

See Portfolio (2)

Landscape painted in the Naive style of Manly Cove with the ferry "Baragoola" in the background.

Manly Cove and Wharf with Baragoola 1960 s

Acrylic, 90cm (W) x 60cm (H)

A$380

Manly ferry "Baragoola" crossing the Sydney Heads on its voyage to Manly.

Manly Ferry Baragoola Crossing Sydney Heads

Acrylic, 70cm (W) x 50cm (H)

A$380

Peter Butler

Teralba

See Portfolio (170)

Mist rising in valley catching sunlight

Morning Mist Mt Rowland Tasmania

Oil, 60cm (W) x 46cm (H)

A$790

Old street with Sydney Harbour Bridge

Afternoon in Balmain NSW

Oil, 60cm (W) x 50cm (H)

A$800

Trees and mountains

Grampians Country Victoria

Oil, 60cm (W) x 46cm (H)

A$790

Cliffs lit up in late afternoon light

Moonrise over Megalong Valley

Oil, 61cm (W) x 31cm (H)

A$600

Peter Walker

Phillip Island

See Portfolio (5)

This painting presents a quietly compelling portrait of an older man balancing two roles—caretaker and observer—while standing in a sparse, urban-like setting.

At the center is the dog walker himself: an elderly man with a full white beard and a calm, introspective expression. His posture is slightly inward, one hand near his chest as if mid-thought or mid-adjustment, suggesting a reflective or habitual gesture. Slung across his body is a camera, marking him not just as someone moving through the city, but someone who notices it—someone who frames moments rather than simply passing through them.

He is surrounded by four dogs, each with its own personality and presence. The leashes intersect loosely, creating a web of subtle tension and connection. On the left, a striking blue dog—unnatural in color—draws immediate attention. Its alert posture and forward gaze give it a sense of independence or curiosity, almost as if it exists slightly outside the ordinary world. Next to it, a white-and-brown dog stands more neutrally, grounded and observant. On the right, a taller brown dog leans inward toward the man, suggesting loyalty or attentiveness, while a small white dog near his legs feels more vulnerable, tucked close for security.

The background is minimal and softly blended—muted browns and greys with a diagonal shadow cutting across the space. This lack of detail shifts the focus entirely onto the figures, giving the scene a timeless, almost dreamlike quality rather than a literal depiction of New York.

There’s an emotional duality in the work: the man is surrounded, yet slightly isolated. The dogs connect him to the world physically, while the camera hints at a more internal, observational life. The unusual color choices—especially the blue dog and cool tones in the man’s face—add a layer of psychological depth, suggesting that this is less about a specific place and more about perception, memory, or identity.

Overall, the painting feels like a quiet meditation on companionship, routine, and the act of seeing.

The New York Dog Walker and Photographer

Oil, 102cm (W) x 91cm (H)

A$1,650

nfluenced by my local beach and parkland with reference to the head gear of an English horse.
A picnic in the park with everyone bringing food is a common gettogether.

I find myself drawn into a quiet, slightly uncanny moment in The Horseman’s Picnic, as though I’ve stumbled upon a memory that doesn’t fully belong to me. The figures feel both present and distant—softly outlined, almost dissolving into the landscape—while I stand there holding the scene together in my mind. The women, with their bowls of bright fruit, seem absorbed in a gentle ritual, and I can almost feel the cool grass underfoot and the dampness in the air. There’s a hush here, a stillness that makes even the smallest gestures—passing fruit, turning a head—feel significant, as if time has slowed just enough for me to notice everything.

What unsettles me most, though, is the horse in the foreground, its eye large and watchful, meeting mine with a kind of quiet intensity. I feel observed, almost implicated, as though I’ve interrupted something I don’t quite understand. In the distance, the shadowy figure of the horseman adds a faint tension, contrasting with the softness of the picnic. The brushstrokes are loose and expressive, and I sense the artist’s hand guiding my attention rather than dictating it. As I take it all in, I feel both comforted by the pastoral calm and slightly uneasy, caught between innocence and something harder to name.

The work is an original piece and comes with D-rings and wire ready to hang. The canvas is unframed. The sides are painted in black to set off the artwork. The work has been sealed for protection.

The Horsmans Picnic

Oil, 61cm (W) x 61cm (H)

A$1,050

The woman appears quiet and inward, caught in a moment that feels both delicate and introspective. Her posture is soft and slightly curved, with one hand gently supporting her face while the other rests across her body, suggesting a sense of stillness or contemplation.

The butterfly hovers right at her cheek, almost touching her lips, as if drawn to her calm energy. She doesn’t react with surprise or movement—instead, she seems to accept its presence, as though this encounter is natural or even familiar. Her expression is subdued, perhaps thoughtful or slightly melancholic, with her gaze lowered rather than fixed on the butterfly itself.

There’s a sense of intimacy between the two: the butterfly, often symbolic of transformation or fragility, contrasts with her grounded, human form. The moment feels suspended—like a quiet pause where nothing else exists but this gentle interaction.

Woman with Butterfly Ed. 1 of 1

Monotype, 37cm (W) x 48.5cm (H)

A$780

Peter Walker’s Announcement of the Yacht Race is a vivid, expressionist composition filled with character, movement, and intrigue. The scene is set by the sea under a moody sky, where a group of figures some holding model yachts, others deep in thought or conversation gather in anticipation of an event. Each figure feels part of a larger story, yet distinct in mood and gesture. The bright, contrasting colours of blues, purples, and ochres bring an emotional energy to the scene, while Walker’s gestural brushwork and imaginative stylisation give the piece a dreamlike quality.

Though rooted in figuration, the painting moves beyond realism into the realm of imagination and symbolism. The central figure, dressed in yellow and holding a blue yacht, draws the viewer’s eye, his calm gaze countered by the surrounding flurry of activity. The presence of a dinosaur in the background adds a surreal touch perhaps a reminder of nature’s quiet power in contrast to human performance and ceremony. Announcement of the Yacht Race captures Peter Walker’s lyrical, expressive approach to storytelling through gesture, colour, and emotion.

The canvas is an original piece and comes with d rings and wire ready to hang. The piece is UNFRAMED. Sides are painted in a crisp white to set off the artwork. The work is created in oil paint. All work has been sealed and varnished for protection

Announcement of the Yacht Race

Oil, 61cm (W) x 76cm (H)

A$1,200

Peter Ryan

Sydney

See Portfolio (4)

Purple moon over the Darling

Oil, 45cm (W) x 22.5cm (H)

A$500

Coming into Tambora

Oil, 30.5cm (W) x 20cm (H)

A$370

Street cricket

Oil, 61cm (W) x 30.5cm (H)

A$980

Bugger it fell off

Oil, 44.5cm (W) x 44cm (H)

A$930

Peter Wallfried

Adelaide South Australia

See Portfolio (2)

(CreativeWork) Holden Monaro at Midnight by Peter Wallfried. Acrylic. Shop online at Bluethumb.

Holden Monaro at Midnight

Peter Wallfried

Acrylic, 120cm (W) x 75cm (H)

A$580

Peter Evans

Palmview, Sunshine Coast Queensland

See Portfolio (3)

Stylised version of 3 sailing boats with light white sails. Simplified into shapes and blues blended together in the sea and sky.

Light Sails

Acrylic, 61cm (W) x 91cm (H)

A$470

Peter Lloyd

Forster, NSW

See Portfolio (25)

RAINFOREST NO 2

Watercolour, 30cm (W) x 40cm (H)

A$530

GREEN TREE FROG NO 2

Watercolour, 28cm (W) x 38cm (H)

A$520

SUNFLOWERS NO 3

Watercolour, 28cm (W) x 38cm (H)

A$520

AZURE KINGFISHER

Watercolour, 28cm (W) x 38cm (H)

A$520

peter collins

shepparton victoria

See Portfolio (24)

toucans

Oil, 102cm (W) x 76cm (H)

A$880

large white birds above wooden stick nest, with four baby chicks in it

family time

Acrylic, 100cm (W) x 150cm (H)

A$1,650

(CreativeWork) wonder world by peter collins. Oil. Shop online at Bluethumb.

wonder world

Oil, 150cm (W) x 100cm (H)

A$3,100

focus

Acrylic, 100cm (W) x 150cm (H)

A$1,350

Peter Lazaris

Sydney, Australia

See Portfolio (1)

Henry Head, La Perouse

Oil, 150cm (W) x 50cm (H)

A$9,990