The complete list of Bluethumb artists from A to Z. | Page 825

peter collins

shepparton victoria

See Portfolio (24)

toucans

Oil, 102cm (W) x 76cm (H)

A$880

large white birds above wooden stick nest, with four baby chicks in it

family time

Acrylic, 100cm (W) x 150cm (H)

A$1,650

(CreativeWork) wonder world by peter collins. Oil. Shop online at Bluethumb.

wonder world

Oil, 150cm (W) x 100cm (H)

A$3,100

focus

Acrylic, 100cm (W) x 150cm (H)

A$1,350

Peter Hyatt

Melbourne

See Portfolio (75)

A fog-bound landscape of Australia's high-country.

Mountain Mist Ed. 1 of 20

Giclée, 85cm (W) x 100cm (H)

A$990

This artwork radiates energy and passion. Two dancers are portrayed in and intense dance carefree and exuberant in their embrace of the moment.

Pool Party Ed. 1 of 20

Giclée, 100cm (W) x 71cm (H)

A$990

A shipping container provides the single disturbing element in an otherwise tranquil scene of ocean and sky.

All Is Calm Ed. 1 of 20

Digital, 79cm (W) x 100cm (H)

A$990

A young woman glides beneath the surface of an outback rock-pool patterned by light and water movement.

Rockpool Ed. 1 of 20

Giclée, 100cm (W) x 57cm (H)

A$990

Peter Brandt

Blue Mountains, NSW

See Portfolio (19)

Asian actress looking at the viewer over her shoulder. Hair partially drawn.

Did you tap my shoulder

Pastel, 50cm (W) x 75cm (H)

A$290

Balding gentleman smoking a pipe

C S Lewis

Pastel, 50cm (W) x 75cm (H)

A$310

Actress with blond hair and dark eyes.

Winona

Pastel, 50cm (W) x 75cm (H)

A$290

Portrait of a man with whiskers looking at the viewer

Aleksandr Solzhenitsyn

Pastel, 50cm (W) x 75cm (H)

A$380

Peter Walker

Phillip Island

See Portfolio (5)

This painting presents a quietly compelling portrait of an older man balancing two roles—caretaker and observer—while standing in a sparse, urban-like setting.

At the center is the dog walker himself: an elderly man with a full white beard and a calm, introspective expression. His posture is slightly inward, one hand near his chest as if mid-thought or mid-adjustment, suggesting a reflective or habitual gesture. Slung across his body is a camera, marking him not just as someone moving through the city, but someone who notices it—someone who frames moments rather than simply passing through them.

He is surrounded by four dogs, each with its own personality and presence. The leashes intersect loosely, creating a web of subtle tension and connection. On the left, a striking blue dog—unnatural in color—draws immediate attention. Its alert posture and forward gaze give it a sense of independence or curiosity, almost as if it exists slightly outside the ordinary world. Next to it, a white-and-brown dog stands more neutrally, grounded and observant. On the right, a taller brown dog leans inward toward the man, suggesting loyalty or attentiveness, while a small white dog near his legs feels more vulnerable, tucked close for security.

The background is minimal and softly blended—muted browns and greys with a diagonal shadow cutting across the space. This lack of detail shifts the focus entirely onto the figures, giving the scene a timeless, almost dreamlike quality rather than a literal depiction of New York.

There’s an emotional duality in the work: the man is surrounded, yet slightly isolated. The dogs connect him to the world physically, while the camera hints at a more internal, observational life. The unusual color choices—especially the blue dog and cool tones in the man’s face—add a layer of psychological depth, suggesting that this is less about a specific place and more about perception, memory, or identity.

Overall, the painting feels like a quiet meditation on companionship, routine, and the act of seeing.

The New York Dog Walker and Photographer

Oil, 102cm (W) x 91cm (H)

A$1,650

nfluenced by my local beach and parkland with reference to the head gear of an English horse.
A picnic in the park with everyone bringing food is a common gettogether.

I find myself drawn into a quiet, slightly uncanny moment in The Horseman’s Picnic, as though I’ve stumbled upon a memory that doesn’t fully belong to me. The figures feel both present and distant—softly outlined, almost dissolving into the landscape—while I stand there holding the scene together in my mind. The women, with their bowls of bright fruit, seem absorbed in a gentle ritual, and I can almost feel the cool grass underfoot and the dampness in the air. There’s a hush here, a stillness that makes even the smallest gestures—passing fruit, turning a head—feel significant, as if time has slowed just enough for me to notice everything.

What unsettles me most, though, is the horse in the foreground, its eye large and watchful, meeting mine with a kind of quiet intensity. I feel observed, almost implicated, as though I’ve interrupted something I don’t quite understand. In the distance, the shadowy figure of the horseman adds a faint tension, contrasting with the softness of the picnic. The brushstrokes are loose and expressive, and I sense the artist’s hand guiding my attention rather than dictating it. As I take it all in, I feel both comforted by the pastoral calm and slightly uneasy, caught between innocence and something harder to name.

The work is an original piece and comes with D-rings and wire ready to hang. The canvas is unframed. The sides are painted in black to set off the artwork. The work has been sealed for protection.

The Horsmans Picnic

Oil, 61cm (W) x 61cm (H)

A$1,050

The woman appears quiet and inward, caught in a moment that feels both delicate and introspective. Her posture is soft and slightly curved, with one hand gently supporting her face while the other rests across her body, suggesting a sense of stillness or contemplation.

The butterfly hovers right at her cheek, almost touching her lips, as if drawn to her calm energy. She doesn’t react with surprise or movement—instead, she seems to accept its presence, as though this encounter is natural or even familiar. Her expression is subdued, perhaps thoughtful or slightly melancholic, with her gaze lowered rather than fixed on the butterfly itself.

There’s a sense of intimacy between the two: the butterfly, often symbolic of transformation or fragility, contrasts with her grounded, human form. The moment feels suspended—like a quiet pause where nothing else exists but this gentle interaction.

Woman with Butterfly Ed. 1 of 1

Monotype, 37cm (W) x 48.5cm (H)

A$780

Peter Walker’s Announcement of the Yacht Race is a vivid, expressionist composition filled with character, movement, and intrigue. The scene is set by the sea under a moody sky, where a group of figures some holding model yachts, others deep in thought or conversation gather in anticipation of an event. Each figure feels part of a larger story, yet distinct in mood and gesture. The bright, contrasting colours of blues, purples, and ochres bring an emotional energy to the scene, while Walker’s gestural brushwork and imaginative stylisation give the piece a dreamlike quality.

Though rooted in figuration, the painting moves beyond realism into the realm of imagination and symbolism. The central figure, dressed in yellow and holding a blue yacht, draws the viewer’s eye, his calm gaze countered by the surrounding flurry of activity. The presence of a dinosaur in the background adds a surreal touch perhaps a reminder of nature’s quiet power in contrast to human performance and ceremony. Announcement of the Yacht Race captures Peter Walker’s lyrical, expressive approach to storytelling through gesture, colour, and emotion.

The canvas is an original piece and comes with d rings and wire ready to hang. The piece is UNFRAMED. Sides are painted in a crisp white to set off the artwork. The work is created in oil paint. All work has been sealed and varnished for protection

Announcement of the Yacht Race

Oil, 61cm (W) x 76cm (H)

A$1,200

Peter Francisco

Adelaide

See Portfolio (40)

A plate of tinolang manok (chicken)

Tinolang Manok

Peter Francisco

Oil, 22cm (W) x 22cm (H)

A$460

100 cans of Ligo sardines

100 Cans of Resilience II Ed. 6 of 10

Peter Francisco

Reproduction Print, 61cm (W) x 91cm (H)

A$310

Unang Taon ("Year One") Ed. 1 of 10

Peter Francisco

Giclée, 91cm (W) x 61cm (H)

A$480

A plate of grilled eggplant and squid

Grilled Eggplant and Squid

Peter Francisco

Oil, 22cm (W) x 22cm (H)

A$520

Peter Jones

Whitsundays Queensland

See Portfolio (2)

Landscape painted in the Naive style of Manly Cove with the ferry "Baragoola" in the background.

Manly Cove and Wharf with Baragoola 1960 s

Acrylic, 90cm (W) x 60cm (H)

A$380

Manly ferry "Baragoola" crossing the Sydney Heads on its voyage to Manly.

Manly Ferry Baragoola Crossing Sydney Heads

Acrylic, 70cm (W) x 50cm (H)

A$380

Peter Hill

Wimmera-Mallee

See Portfolio (223)

Still Life with Green Apple

Gouache, 42cm (W) x 29cm (H)

A$360

Still Life with Lemons and White Jug

Gouache, 42cm (W) x 29cm (H)

A$390

Scottish Highlander 1800s

Gouache, 42cm (W) x 29cm (H)

A$260

Landscape near Coleraine western Victoria

Gouache, 42cm (W) x 29cm (H)

A$270

Peter Campbell

Kingscliff (NSW)

See Portfolio (1)

Contemporary pandanus beach

Pandanus Dreaming

Mixed Media, 56cm (W) x 38cm (H)

A$170

Peter Bastaja

Noosaville

See Portfolio (12)

Always hard to describe an abstract for it is just that , an abstract. It is a feeling you get from the painting, you like its colours or construct etc. People view them so differently that’s the essence of them. You don’t have to ‘understand’ the art to enjoy it.

Blue On Blue

Acrylic, 125cm (W) x 96cm (H)

A$2,340

Peter DARE

Gold Coast, Queensland.

See Portfolio (5)

Birdlife # Flora # colour # cartoon

3 bluebirds

Acrylic, 138cm (W) x 64cm (H)

A$2,680

cartoon # portrait # Woman # vibrant colour # humour

A simple yet beautiful pear

Acrylic, 74cm (W) x 76cm (H)

A$1,840

popart # cartoon portrait # wine # woman # style # colourful

A taste of red

Acrylic, 78cm (W) x 91cm (H)

A$2,090

woman portrait # 1950's fashion # Headscarf # popart # cartoon# sunglasses

Eternal style

Acrylic, 84cm (W) x 88cm (H)

A$2,090