The complete list of Bluethumb artists from A to Z. | Page 964

Silvia Grancini

Sydney

See Portfolio (4)

Circular shapes with detailed subjects on a light blue and pale yellow background

Dream #23 | Together

Silvia Grancini

Acrylic, 178cm (W) x 122cm (H)

A$8,440

Australian nature on dark sky background

Dream #3 | OZ

Silvia Grancini

Acrylic, 91.5cm (W) x 91.5cm (H)

A$1,760

White solid shapes surrounded by love hearts variations on pink and yellow background

Dream #2 | Love

Silvia Grancini

Acrylic, 61cm (W) x 91cm (H)

A$1,450

Black and white linework and textural effects on yellow/gold background

Dream #1 | Magnum opus

Silvia Grancini

Acrylic, 91.5cm (W) x 91.5cm (H)

A$1,350

Silvia Rubio Herrada

Sydney

See Portfolio (1)

Tomatoes Still Life

Silvia Rubio Herrada

Drawing, 42cm (W) x 59.4cm (H)

A$250

Silvia Rubboli Golf

Bondi Beach

See Portfolio (485)

When the Sea was full of Fish 2026

Silvia Rubboli Golf

Watercolour, 99cm (W) x 68cm (H)

A$1,470

Sardines on an book cover

Trust the Lonely Planet

Silvia Rubboli Golf

Watercolour, 47cm (W) x 57cm (H)

A$690

Patttaya Fish Market.
I am working on a new series of Fish Markets, but not those huge, soulless and cold buildings.
Fisk Markets where people are coming together, by the beach or near the beach, where the catch is fresh, where fish is work, daily. Where fish is smelly and men and women are making a living with a direct contact with Nature.
This piece is particularly colourfull and bright.
Is a statement.
Neon signs, wires, people, confusion.
If you have been there you know what I mean, if you havent, you can probably imagine it.
Local fish is the primary source of this life, sold on stalls or restaurants, cooked on the street, caught not far.
The work in unframed
The frame in the photos are examples.

Pattaya Culture Pop - Fish Street Market

Silvia Rubboli Golf

Oil, 122cm (W) x 168cm (H)

A$6,900

Fish on a Japanese Art poster

Les Fish D'Avignon

Silvia Rubboli Golf

Watercolour, 47cm (W) x 57cm (H)

A$750

SILVIA A FAMULARO

Melbourne

See Portfolio (15)

(CreativeWork) She stares alone across the water by SILVIA A FAMULARO. Mixed Media. Shop online at Bluethumb.

She stares alone across the water

SILVIA A FAMULARO

Mixed Media, 42cm (W) x 59.4cm (H)

A$1,550

(CreativeWork) With fear and shadows by SILVIA A FAMULARO. Mixed Media. Shop online at Bluethumb.

With fear and shadows

SILVIA A FAMULARO

Mixed Media, 42cm (W) x 59.4cm (H)

A$1,550

(CreativeWork) The hunger by SILVIA A FAMULARO. Mixed Media. Shop online at Bluethumb.

The hunger

SILVIA A FAMULARO

Mixed Media, 42cm (W) x 59.4cm (H)

A$1,550

(CreativeWork) The memories fade and leave her eyes by SILVIA A FAMULARO. Mixed Media. Shop online at Bluethumb.

The memories fade and leave her eyes

SILVIA A FAMULARO

Mixed Media, 42cm (W) x 59.4cm (H)

A$1,550

Silviya Saikali

Sydney

See Portfolio (3)

A surreal pink gerbera with two green leaves with piercings and pearls.

Gerbera Speciale

Silviya Saikali

Watercolour, 50cm (W) x 70cm (H)

A$2,400

Two calla lilies with piercings.

Calla Lilies Innamorati

Silviya Saikali

Watercolour, 50cm (W) x 70cm (H)

A$2,400

Two surreal anthuriums with piercings.

Anthuriums

Silviya Saikali

Watercolour, 50cm (W) x 70cm (H)

A$2,400

Sima Komarov

Byron Bay

See Portfolio (1)

Multiverse

Acrylic, 24cm (W) x 33cm (H)

A$150

Simmone Poltorasky-Rayner

Queensland

See Portfolio (1)

Visions of freedom

Simmone Poltorasky-Rayner

Acrylic, 60cm (W) x 90cm (H)

A$550

simon Armstrong

Melbourne

See Portfolio (10)

"Four Seasons in One Day at the Sorrento Boathouse" is a captivating art installation by Simon, ingeniously placed at a serene private residence at Sorrento front beach. This artwork embodies the essence of Melbourne's famously unpredictable and dynamic weather, famously described as 'four seasons in one day.' Through the strategic use of different lighting conditions, Simo crafts an immersive experience that transports viewers from the cheerful brightness of a sunny day to the biting chill reminiscent of an Arctic wind. Simon's creation uniquely captures the essence of this phenomenon through an innovative interplay of light and perspective.

The artwork's brilliance lies in its 3-dimensional structure and the clever manipulation of light and perspective. Depending on where one stands and the lighting at that moment, the installation reveals different facets of Melbourne's weather. This dynamic interaction between the viewer, the artwork, and the changing light conditions ensures that no two experiences of the artwork are exactly alike, echoing the city's ever-changing atmosphere.
As one circumnavigates the piece, the changing perspectives coupled with the shifting lights simulate the transition through spring's bloom, summer's radiance, autumn's melancholy, and winter's silence. This dynamic experience underscores the unpredictability and fleeting beauty of Melbourne’s nature's cycle.

Set against the enchanting backdrop of the Sorrento Boathouse, surrounded by water and accessible only by a jetty, the installation gains an additional layer of isolation and beauty. The boathouse and the adjacent sea pool serve not just as settings but as integral components of the artwork, enhancing its thematic depth. The reflection of light on sky and water adds to the illusion of experiencing all four seasons in a single day, from the glistening warmth of summer to the subdued gloom of winter.

Simon's work is a profound commentary on the transient nature of weather and its impact on human emotions and perceptions. Set against the backdrop of the Sorrento Boathouse, which is accessible only by a slender jetty, the artwork is enveloped by water, further enhancing its thematic resonance. The surrounding sea and exclusive sea pool add a tangible element of isolation and tranquillity, emphasizing the artwork's theme of nature's encompassing influence. By situating this evocative installation at a location as picturesque as the Sorrento Boathouse, the artist not only pays homage to Melbourne's unique climate but also invites viewers to reflect on the broader themes of change, adaptability, and the beauty of nature's unpredictability.

"Four Seasons in One Day at the Sorrento Boathouse" is not merely an artistic endeavour; it is a sensory voyage that encapsulates the volatile yet captivating nature of Melbourne's weather. Simon hopes, viewers are afforded a unique opportunity to witness and reflect upon the ever-changing tapestry of the natural world, all within the confines of a day at the Sorrento Boathouse.

Set against the backdrop of the Sorrento Boathouse, which is accessible only by a slender jetty, the artwork is enveloped by water, further enhancing its thematic resonance. The surrounding sea and exclusive sea pool add a tangible element of isolation and tranquillity, emphasizing the artwork's theme of nature's encompassing influence.

"Four Seasons in One Day at the Sorrento Boathouse" is not merely an artistic endeavour; it is a sensory voyage that encapsulates the volatile yet captivating nature of Melbourne's weather. Through Simon's visionary lens, viewers are afforded a unique opportunity to witness and reflect upon the ever-changing tapestry of the natural world, all within the confines of a day at the Sorrento Beach House.

Four seasons in one image at the Sorrento boat house

simon Armstrong

Acrylic, 1000cm (W) x 665cm (H)

A$15,740

"Dog Beach at Sorrento" by the artist Simon is a captivating artwork that serves as both a tribute and a vivid recollection of the joyous moments spent at Sorrento dog beach. This piece is more than just a painting; it's an immersive experience that encapsulates the essence of freedom, companionship, and the simple pleasures of life shared with our canine friends and fellow beachgoers. Simon masterfully brings to life the picturesque scene of Sorrento's dog beach, viewed from an elevated perspective atop the cliffs. The painting overlooks the charming dog boathouse and the extending piers, inviting viewers into a serene yet lively atmosphere.

The use of metallic paints is a stroke of genius, as it transforms the painting with the changing light, mirroring the dynamic nature of a day from dawn till dusk at the beach. This effect not only enhances the visual appeal but also deepens the connection between the observer and the artwork, embodying the ever-changing yet timeless moments spent by the sea.

Simon's attention to detail extends to the texture incorporated into the sand depicted in the painting. This element not only adds a tactile dimension but also evokes a sense of nostalgia and appreciation for the pristine, soft sand of Sorrento beach. Embedded within this sandy hillside, a dog figure is subtly painted, serving as a heartfelt homage to the beloved canines of the past and present who have left their paw prints in the sand and in the hearts of their owners.

In the background, the silhouette of a person sailing on a yacht, with the wind in their hair, symbolizes the ultimate freedom and the spirit of adventure that the Sorrento front beach embodies. The tranquil waves and the expansive sky invite viewers to immerse themselves in the scene, offering a momentary escape and the sensation of being transported to the beach itself.

"Dog Beach at Sorrento" is not just an artwork; it's a celebration of life's simple joys, a remembrance of cherished moments, and a tribute to the unbreakable bond between humans and their four-legged companions. Simon's painting invites us to pause, reflect, and appreciate the beauty and freedom that surrounds us, capturing the essence of Sorrento's dog beach in a way that resonates deeply with all who experience it

‘Dog Beach Sorrento.’

simon Armstrong

Acrylic, 1000cm (W) x 665cm (H)

A$17,220

A vivid and complex artwork by the artist Simon, titled "Back to Reality." This piece appears to be a rich tapestry of thematic elements, ranging from idyllic beach scenes to symbolic representations of good and evil, intertwined with mystical elements. The artwork unfolds as a journey from the serenity and joy of a beach setting into deeper, more introspective themes that evoke a contemplation on reality, emotions, and existential contrasts.

The initial focus on Sorrento front beach, with its inviting sands, tea trees and iconic beach boxes, sets a tranquil scene that is both engaging and comforting.
As the viewer's eye moves through the painting, they encounter a progression from this lightness into more complex imagery involving devils, clowns, and sea creatures. These elements may symbolize the undercurrents of life's darker or more challenging aspects, contrasting sharply with the initial serenity. In the details of the trees on the right, the artist intricately paints face within the shadows and branches, creating a sense of guardianship and protection through the symbolic tree friends. These characters provide a comforting presence, symbolizing security amidst life's challenges. Contrastingly, the left side of the painting reveals more sinister elements with evil faces and demonic figures looming over the scene. This dichotomy between the protective spirits on the right and the malevolent force on the left reflects the eternal struggle between good and evil, both externally in the world and internally within us. It speaks to the dualities of life and the presence of both protective forces and threats in our environment. This dichotomy is further explored through the imagery of the bulldog and Phoenix, suggesting a narrative of overcoming or dispelling negativity. The magical, floating tree and the relaxed figure in the boat add an element of surrealism and calm amidst the surrounding complexity, offering a moment of reflection or escape. The final mention of a car and the return to reality anchors the piece in a relatable conclusion, reminding the viewer of the inevitable return to the everyday after moments of escapism or contemplation. Through "Back to Reality," Simon masterfully encapsulates the ebb and flow of human experience, inviting viewers to reflect on their own journeys between blissful escapism and the acceptance of life's inherent complexities. A captivating and intricate portrayal of the transition from idyllic leisure back to the mundane realities of life, set against the picturesque backdrop of Sorrento front beach. This artwork not only celebrates the beauty of Sorrento front beach but also delves deep into the emotional landscape, offering a rich tapestry of symbolism for contemplation.
The timber retaining wall serves as a profound canvas, depicting a rich tapestry of human emotions and life's dichotomies, an intriguing ensemble of characters surrounds a human figure, each symbolizing a profound aspect of life and human emotions. At the focal point, we see a person's head, symbolizing humanity, and individuality. To the right, a dog represents a beacon freedom, joy, companionship, and protection, embodying the positive aspects of life and the pure, untainted joy found in moments of companionship and the simplicity of nature. This embodies the positive forces that guide and guard us through our journey. On the left, the presence of the devil and a clown introduces a darker, more complex narrative. The devil and clown figures stand side by side encapsulate the hardships of emotion and the intricate dance with freedom of choice, illustrating the inner turmoil and challenges that individuals face. This pairing suggests the struggles and temptations individuals face, highlighting the duality of life's journey and the constant battle of free choice between good and bad decisions, as well as the emotional turmoil that accompanies such choices. Farther to the left, a sea creature from the deep emerges as a powerful symbol of the dark, lurking dangers of malevolence in the world. This creature represents the capacity of evil to infiltrate and compromise goodness, reminding us of the ever-present threat to joy and freedom posed by malevolent forces or individuals. Together, these elements craft a compelling narrative about life’s journey the perpetual battle between good and evil, encompassing its joys, protections, struggles, and the ever-present danger of corruption to the complexity of human choices, and the ever-present possibility of redemption or downfall.

This treescape is a microcosm of life itself, capturing the complexity of emotions and relationships that define the human condition. Through the interplay of light and shadow, nature becomes a mirror reflecting our innermost struggles, joys, and the eternal cycle of renewal that marks our existence. A rich tapestry of emotions and narratives, beautifully intertwining nature with the essence of human and animal emotions. In this treescape, the trees are not merely plants; they become a canvas where shadows and light play to reveal human faces, each one a silent storyteller of a different emotion. These expressions, ranging across the spectrum of human feelings, from joy to sorrow, mirroring the diverse experiences of life itself set a backdrop for a deeper story woven into the branches and leaves. In the midst of this emotional landscape, a parental figure, depicted as a branch, chases after a child, symbolizing the timeless dance of generations and the nurturing bond that connects them. This pursuit captures a snapshot of life's fleeting moments, emphasizing the themes of growth, guidance, and happiness. The fundamental bond and continuity of generations. Amidst this, companionship and loyalty are personified by a friendly tree friend, tree bird, and a dog, illustrating the innate connection between humans and nature, as well as the values of friendship, loyalty, and freedom. Their presence in the treescape adds a layer of warmth and fidelity, illustrating the deep bonds that exist not only among humans but between humans and animals. This tableau speaks to the heart of companionship, highlighting the comfort and liberation found in these relationships. However, not all is serene in this arboreal world. This harmony is contrasted by the presence of a weasel, painted as leaves in the middle turned away by the in the branch on the right a dog, introduces a note of discord, introducing themes of conflict and the darker aspects of interaction, such as mistrust and aggression. Representing the inevitable presence of conflict and the boundaries we draw in our relationships. Above the beach boxes on the left, the shadows hide figures of malevolence. The presence of the devil and his accomplices casting an ominous presence in the shadows introducing a stark contrast to the natural and positive emotions depicted elsewhere, hinting at the ever-present nature of evil and temptation in the world. This contrast serves as a reminder of the dual nature of existence, where light and dark, good, and evil, constantly vie for dominance. The inclusion of mythical elements to the far-left tree, a bulldog and a phoenix stand as guardians against this darkness, symbolizing resilience, and rebirth. Like the phoenix, alongside more traditional symbols of fear and aggression in the left tree branches, this adds a layer of complexity, suggesting a cycle of destruction and rebirth, of overcoming adversity through resilience and renewal. Their inclusion not only counters the negative forces but also imbues the scene with hope, suggesting that renewal follows even the darkest times. This treescape becomes more than just a depiction of nature; it's a reflection on human life, emotions, and the eternal struggle between good and evil, intertwined with the natural world's beauty and brutality. The detailed imagery serves not only as a representation of the physical world but also as a metaphor for the psychological and philosophical aspects of human existence.

Beach box on the right side is a deeply evocative and symbolic piece of art, where elements such as a sun, beach box, a boat, calm water and using variations in lighting play significant roles in conveying contrasting themes of reality, escapism, solitude, and the impact of urbanization on nature. Simon paints a vivid and evocative picture, blending elements of reality with reflections of desires and deeper emotional states. It is describing a complex scene that juxtaposes the hustle of city life against the serene escape of nature, represented by a painted beach box. The "bench box" might symbolize a window or a viewfinder into another world or state of being, where the presence of a person in a boat reflects a longing or a memory of a simpler, more peaceful existence away from the realities of urban living.
The person in the boat, painted on the beach box reflected as the person returning to reality views as if they are longing for an escape to a serene, possibly idyllic setting, contrasts with the reality they face when returning from this reflection. This duality could symbolize the internal conflict many experiences between their current realities and where they wish they could be, possibly highlighting a yearning for peace and simplicity amidst life's complexities. The detailed observation of the person's reflection in the boat, visible only upon closer inspection, the arms, and legs in the "transparent shadow boat" conveys a ghostly presence, hinting at the thin veil between desire and reality, and how closely our dreams and aspirations are tied to our tangible existence. This suggests a deeper layer of meaning, hinting at the true desires and hidden parts of oneself that only become apparent when one looks beyond the surface. It's a powerful visual metaphor for the often invisible, yet profoundly felt, desires that guide our actions and perceptions. The transition in the scene's ambiance, with dull to bright lighting gives the viewer a sense from cold and solitary to warmth and content. The dull light reveals the tainted skyline by "the pollution of the city," suggesting a commentary on how external environments and societal progress impact personal and natural spaces. The bright light glows gold a feeling of warmth and comfort. The light, acting as a transformative agent, not only changes the physical appearance of the scene but also imbues it with different emotional and psychological connotations—ranging from isolation and coldness that is nonetheless compromised by external contamination to warmth and self-love and respect. The changing light, from cold to warm, further accentuates the dual nature of the scene, indicating how perceptions can shift based on circumstances or mood, transforming a single scene from one of isolation to contentment. The mention of pollution invading the tranquil environment of the beach with dull light could symbolize the pervasive reach of urbanization and modern life's problems into even our places of escape and reflection. The beach box painted with a sun and boat description is rich with symbolism and offers multiple layers of interpretation, inviting the viewer to reflect on their own places of escape, how they perceive their reality, and what lies beneath the surface of their desires and fears.
Through "Back to Reality," Simon masterfully encapsulates the ebb and flow of human experience, inviting viewers to reflect on their own journeys between blissful escapism and the acceptance of life's inherent complexities. This artwork not only celebrates the beauty of Sorrento front beach but also delves deep into the emotional landscape, offering a rich tapestry of symbolism for contemplation

‘Back to reality’

simon Armstrong

Acrylic, 66.5cm (W) x 1000cm (H)

A$17,140

The artwork titled "Ring of Steel Covid" is a visual representation that conveys various symbolic elements and embodies a complex narrative related to the situation in Melbourne during the COVID-19 pandemic. The central theme revolves around control, repression, and the impact of government measures, with the art weaving together symbols of control, despair and critique of political leadership.

At its core the ring of barbed wire signifies and encapsulates the perceived restrictions and limitations imposed on the people of Melbourne. It symbolizes a sense of confinement and loss of freedom as a security cardon was placed around the city of Melbourne. This sense of entrapment if further accentuated by the bright colours under the barb wire show that strength and unity was strong within the community.

Within the artwork, a Christian cross hinting at both salvation and coercion represents the ghosts of the pandemic and also the vaccine needle, highlighting its significance in the context of the pandemic. This suggests a commentary on the role of vaccination in the ongoing crisis of life death and individual rights.

The inclusion of haunting images representing people who died by suicide as black shadow ghosts is a poignant representation of the mental health toll caused by the pandemic and related restrictions. It highlights the devastating consequences beyond just the direct impact of the virus. Representing those who died by suicide, starkly illustrates the profound mental health ramifications of the pandemic and the societal costs of lockdowns and restrictions. This aspect of the artwork brings to light the often overlooked or underreported consequences of pandemic management strategies and government cover ups.

Political commentary is rife within the piece, notably through the portrayal of Daniel Andrews, the Premier of Victoria, with communist symbolism, critiquing his administration's approach during the Covid crisis. The juxtaposition of Andrews promoting tourism visit Victoria amidst the pandemic through the imagery of him holding a baby beside a sign is particularly evocative, suggesting a dissonance in governmental policies perceived contradiction in government messaging, decision-making and communication.

An unexpected twist is the inclusion of a UFO departing Melbourne, a metaphor perhaps for the extreme desire to escape the oppressive conditions, highlighting that the situation felt untenable even to extraterrestrial visitors ‘even the aliens didn’t want to be here’ cry the Melbournians. This, along with the image of the departure point, adds a layer of surrealism, emphasizing the extraordinary circumstances faced by the city.

The photo taken from a building in the middle of the artwork portrays a negative perception of Melbourne. It could represent a commentary on the impact of the pandemic on the city's reputation or the perceived decline in its overall condition.

At the bottom middle of the artwork above the ring of steel, the portrayal of Melbourne's mayor as a witch cackling symbolize dissatisfaction with municipal leadership, reflecting a critical view of the mayor's actions and decisions during the crisis, adding another dimension to the political critique embedded within the artwork.

In sum, "Ring of Steel Covid" is a poignant, multifaceted representation of Melbourne's struggle through the pandemic, marked by symbols of restriction, critique of leadership, and the emotional and psychological toll on its inhabitants. The artwork serves as a visual discourse on the complexities of managing a public health crisis, the delicate balance between protection and freedom, and the profound impact of such events on a community's psyche and social fabric. Overall, the artwork portrays the people of Melbourne as being held captive under an illegal regime, with the barbed wire serving as a metaphorical barrier. It conveys a sense of frustration, disillusionment, and discontent with the government's approach to managing the pandemic.

Please note that the interpretation of artwork can vary greatly, and the artist's intended message may differ from individual interpretations.

"Ring of Steel Covid"

simon Armstrong

Acrylic, 50cm (W) x 74cm (H)

A$30,840

Simon Gruar

Melboune, Vic

See Portfolio (1)

Her Majesty Ed. 1 of 1

Etching, 170cm (W) x 110cm (H)

A$6,850

Simon Whitaker

Ocean Grove, Victoria

See Portfolio (4)

Fenwik Fox

Mixed Media, 29cm (W) x 19cm (H)

A$130

Sir Percival Smyth Vs Reon Resistor Corp

Mixed Media, 29cm (W) x 19cm (H)

A$110

(CreativeWork) Pink Floyd vs Alcar Instruments Inc by Simon Whitaker. Mixed Media. Shop online at Bluethumb.

Pink Floyd vs Alcar Instruments Inc

Mixed Media, 30cm (W) x 20cm (H)

A$120