The complete list of Bluethumb artists from A to Z. | Page 1077

Virginia Hendren

QLD

See Portfolio (211)

Snowy Mountains

Virginia Hendren

Acrylic, 100cm (W) x 100cm (H)

A$1,520

Family Beach Day

Virginia Hendren

Acrylic, 120cm (W) x 120cm (H)

A$1,610

Meet Me At The Beach

Virginia Hendren

Acrylic, 154cm (W) x 124cm (H)

A$2,000

Seaside Village

Virginia Hendren

Acrylic, 120cm (W) x 120cm (H)

A$1,610

Virginia Villa

Sydney

See Portfolio (14)

Gouache painting of Sydney coastline looking down at water crashing onto the rocks

Coastline

Gouache, 28cm (W) x 35.5cm (H)

A$680

Gouache painting of Sydney coastline looking at waves gently meeting the shore at the rockpools

Sea Breeze

Gouache, 30.5cm (W) x 23cm (H)

A$450

Gouache painting of Sydney coastline looking at waves crashing onto the rocks

Coastal Wave

Gouache, 40cm (W) x 17cm (H)

A$750

A watercolour painting of little yellow flowers blossoming along the shores of Brighton Beach.

Flowers in the Sand Dunes

Watercolour, 56cm (W) x 46cm (H)

A$750

Virginia Star

Gold Coast Qld

See Portfolio (167)

Abstract expressionism in pinks and golds representing blossom flowers

Pink Blossoms - Framed In Black

Acrylic, 44cm (W) x 54cm (H)

A$1,490

Abstract expressionism full of life and movement in circles

Alive

Acrylic, 61cm (W) x 61cm (H)

A$390

Bright mid century multi coloured abstract in red, aqua, green, white and black

Dream Boat - Framed In Black

Acrylic, 64cm (W) x 64cm (H)

A$1,530

Abstract blue toned colours representing pearls under the sea

Pearls Of The Sea

Acrylic, 45cm (W) x 55cm (H)

A$490

Virginia Rose Kiernan

Melbourne

See Portfolio (23)

Golden abstract wheat field in Australia

Wheat field

Virginia Rose Kiernan

Acrylic, 108.7cm (W) x 83.3cm (H)

A$1,290

Abstract trees by a lake in an Australian landscape

Lakeside Trees

Virginia Rose Kiernan

Acrylic, 105cm (W) x 105cm (H)

A$1,100

Floral Bouquet

Virginia Rose Kiernan

Acrylic, 55.9cm (W) x 71.1cm (H)

A$650

Hot summer wind blowing into trees in Australia

Summer Wind

Virginia Rose Kiernan

Acrylic, 53.5cm (W) x 78cm (H)

A$600

Virna Mulino

Melbourne

See Portfolio (18)

abstract colourful shapes resembling a landscape

Under The Mountain

Acrylic, 41cm (W) x 41cm (H)

A$510

Light and shadow inside a cathedral

Cathedral Ed. 3 of 20

Linocut Print, 27cm (W) x 39cm (H)

A$280

Two figures walking towards the bridge of a whimsical town

Encounter Ed. 1 of 9

Linocut Print, 23cm (W) x 29.5cm (H)

A$200

lines of colour

The Travellers

Acrylic, 28cm (W) x 35.5cm (H)

A$490

Virtue Fern

Kensington, VIC

See Portfolio (5)

Vish & Shavi Palihena

Hornsby Region

See Portfolio (33)

Calming waters

Vish & Shavi Palihena

Acrylic, 12cm (W) x 10cm (H)

A$100

Riana

Vish & Shavi Palihena

Acrylic, 10cm (W) x 15cm (H)

A$130

Depression

Vish & Shavi Palihena

Acrylic, 12cm (W) x 15cm (H)

A$150

Wonder child

Vish & Shavi Palihena

Acrylic, 20cm (W) x 25cm (H)

A$170

Vitto Esso

Melbourne

See Portfolio (42)

Unique digital abstract print on canvas

Elicit - Print Ed. 1 of 1

Reproduction Print, 45cm (W) x 30cm (H)

A$250

Unique digital abstract print on canvas

Elicit Ed. 1 of 5

Digital, 75cm (W) x 50cm (H)

A$450

Unique abstract piece on canvas

Solar

Acrylic, 45.7cm (W) x 60.9cm (H)

A$550

Unique abstract piece on canvas

Slate Ed. 1 of 5

Reproduction Print, 75cm (W) x 56cm (H)

A$450

Vittorio Natoli

66 High st Fremantle Australia

See Portfolio (7)

Imagine you’re standing in a quiet, charming historic street, with a sense of nostalgia hanging in the air. In front of you stands the Round House, a circular sandstone building with an ancient, weathered look, as if it's watched over Fremantle for generations. The Round House is solid, with arched windows and stone steps, holding a simple but dignified beauty.

Now picture this scene covered in a delicate veil of flowers, almost like you're looking through a garden. Tiny pink and white blossoms, maybe waxflowers or native blooms, are scattered everywhere, their petals soft and vibrant against the neutral tones of the stone. The green stems and leaves weave gently throughout the scene, like vines embracing the historic structure.

The flowers and leaves aren’t real—they’re part of the atmosphere, creating a layered, translucent effect. They’re faint enough that you can still see the street below, the familiar stop signs, the lamp posts, and the subtle textures of the stone walls. It feels like a memory, as if you’re seeing the Round House in a dream where nature and history blend seamlessly, suggesting the beauty of the past intertwined with the fragility of life blooming all around it. It’s warm, calm, and nostalgic, as if the scene is resting in an eternal spring.

High St Fremantle Floral Ed. 1 of 20

Vittorio Natoli

Photograph, 67.5cm (W) x 97.5cm (H)

A$2,350

Imagine yourself on a quiet street in a historic town, where old buildings line either side, their façades adorned with intricate details and tall, narrow windows. The sun is low, casting long, soft shadows across the pavement, bathing the street in a warm, golden hue, almost like sepia from an old photograph.

But as you "look" closer, the scene isn’t quite as it seems. Overlaying everything — the street, the buildings, even the sky — is a unique, almost reptilian texture. Picture the surface of an ancient creature's skin, with organic, scaly patterns, like the hide of a lizard or the creased bark of a tree. This texture wraps around the whole scene, giving it a layered, tactile feel, as if the street has been fossilized or imprinted with the memory of something primal and timeless.

The whole image feels like a moment suspended in amber, where the familiar and the exotic intertwine, capturing both the history of the place and a sense of something much older, earthy, and textured. This fusion of urban and natural elements feels soothing yet slightly mysterious, blending past and present in a way that invites you to linger, to touch, and to wonder.

Old High St Fremantle

Vittorio Natoli

Photograph, 67.5cm (W) x 97.5cm (H)

A$2,350

Imagine standing at the edge of a harbor, facing a tall, strikingly green lighthouse. Its solid shape rises before you, and you can almost feel the sturdy, rough texture of its painted metal under your hand. The lighthouse towers against a vibrant, surreal sky that’s unlike anything you’ve ever seen.

Now, picture the sky swirling with colors—deep blues and purples mingling with softer shades of white, as if an entire field of flowers were blooming in the air around the lighthouse. The sky isn’t empty; it’s filled with soft, petal-like textures and shapes, as if someone layered hundreds of delicate flowers and leaves over the clouds. This floral tapestry flows and twists across the sky, blending with the colors and creating an otherworldly atmosphere.

The scene feels both peaceful and powerful, a fusion of natural beauty and human structure. You sense that the lighthouse stands as a guardian over the harbor, its green surface a comforting contrast to the cool, flowing textures around it. It's as though you’re witnessing a dreamlike moment, where nature and architecture meet in harmony, capturing a single, magical instant in time.

South mole lighthouse fremantle Ed. 1 of 20

Vittorio Natoli

Photograph, 67.5cm (W) x 97.5cm (H)

A$2,350

Imagine standing in front of a large, abstract painting where the Fremantle Maritime Museum, known for its layered, ribbed structure, is partly obscured yet still recognizable. The building’s lines and shapes are clear but softened, like a distant memory coming into focus through a hazy lens.

The artwork is awash in cool tones—deep blues and purples—giving it a nighttime or twilight feel. Streaks of warm orange and yellow cut through, almost like sunlight filtering through clouds just after dawn or before dusk, illuminating parts of the scene and adding a dreamy contrast to the otherwise cool palette. The colors aren’t smooth; they’re layered, textured, like an old, weathered painting or an aged wall with peeling paint.

Imagine looking through a textured window, as if time or distance has added layers to the view. Lines crisscross the image, giving it a feeling of being framed by memories or history, almost like you’re peering through a screen or mesh that partially obscures the view.

The entire scene feels surreal, blending the solid structure of the museum with an ethereal, painterly background. The image evokes a sense of nostalgia, as if capturing the spirit of Fremantle's maritime heritage through a filter of time and imagination. It’s both familiar and abstract, a place you know but seen in a way you haven’t before.

WA Maritime Museum Ed. 1 of 20

Vittorio Natoli

Photograph, 67.5cm (W) x 97.5cm (H)

A$2,350

Viv Gregory

Woonona,NSW

See Portfolio (59)

Street scene. Buildings and shops. people. historic hotel. man and dog going home

Observer Tavern, The Rocks,1900's

Pencil, 47cm (W) x 35cm (H)

A$190

T.Holdaway.The Rocks NSW 1900's

Drawing, 45cm (W) x 37cm (H)

A$190

the painting focus is the grocer's shop. A mother and child are walking in the road and 3 chidren are chatting over the fence.

W P Fitzgerald,The Rocks,Sydney 1800's

Oil, 50cm (W) x 40cm (H)

A$390

historic hotel in the Rocks. Woman and paper boy. Men waiting outside pub

The Ocean Wave. The Rocks 1900's

Drawing, 45cm (W) x 37cm (H)

A$190