Discover artists from New South Wales

Wendy Wooden

Avalon Beach, NSW

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A woman resting on a chaise lounge with a cat.

Indolence 506 Ed. 15 of 100

Giclée, 120cm (W) x 120cm (H)

A$800

beach painting with kookaburras

Kookaburras and Banksias 458 Ed. 1 of 100

Giclée, 60cm (W) x 60cm (H)

A$450

Sunbathers taking the sun on the sand

Taking the Sun 693 Ed. 2 of 100

Giclée, 120cm (W) x 120cm (H)

A$800

Women chatting on a beach

The Conversation 549 Ed. 22 of 100

Giclée, 120cm (W) x 100cm (H)

A$690

Carmen Iglesias

Sydney

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Dark blue creek with pink water lilies on it and surrounded by blue, red, turquoise and yellow wildflowers. The background resembles water falling, in turquoise colour on the left side of the painting and turning into dark blue to the right. Flower reflections on the water. Texture.

Blue creek with lilies #2

Carmen Iglesias

Oil, 35cm (W) x 33cm (H)

A$250

A pinkish/white park bench among colourful flowers. The bench is near an ochre colour wall on which you can see two large windows with white voile curtains and dark brown frames. Several pots with flowers hang from the wall.

Mediterranean Patio

Carmen Iglesias

Acrylic, 40.6cm (W) x 30.5cm (H)

A$320

View of Sydney Harbour from Point Piper. The Sydney skyline in a pale blue colour, including the Sydney Opera House and the Sydney Harbour Bridge, in the background. The scene is framed by green trees on either side and pretty colourful flowers on the foreground. There are brown-red tree branches in the foreground. Lots of colourful sailing boats on the harbour.

Sydney Harbour view from Point Piper #3

Carmen Iglesias

Oil, 60cm (W) x 50cm (H)

A$660

Evening at Sunset Beach in Port Stephens. A yellow and red boat on the sand. Greenery and wild flowers in the foreground. Lots of sailing boats on the water. Point Restaurant and The Boat Shed in the distance. The sky is dark blue and pink. The sand is pinkish.

Sunset Beach - The end of the day

Carmen Iglesias

Oil, 61cm (W) x 45.7cm (H)

A$660

Chris Holland

Hallidays Point Mid North Coast NSW

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Lavender. Sunflowers. Provence. France. Flowers.

Lavender and Sunflowers

Acrylic, 59.5cm (W) x 39.8cm (H)

A$590

C apturin g the colours of the Outback in a contemporary style

Out There

Acrylic, 123cm (W) x 52cm (H)

A$1,220

Sunrise over the beach and the promise of a new day ahead.

Sunrise at Blackhead Beach

Acrylic, 50cm (W) x 60cm (H)

A$770

Red Gums, Eucalyptus, Australian, Nature, Bushwalk, National Park, Indigenous, Trees, Native tree,

Red Gum

Acrylic, 52cm (W) x 42cm (H)

A$400

Kim Passalaqua

Albury NSW

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River Song III

Acrylic, 63cm (W) x 51cm (H)

A$650

Rainfall running through the rock face, rich colours from the rainfall

After the Rain

Acrylic, 68cm (W) x 58cm (H)

A$950

Summer Daze

Acrylic, 33cm (W) x 33cm (H)

A$450

Banks of the Billabong II

Acrylic, 34cm (W) x 34cm (H)

A$450

Linda Ereaut Douglass

Nepean Valley

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A fiery red and orange representation of an iconic Waratah bloom, contrasting strongly against a dark dramatic background. Lush, green foliage brings a cooling touch amongst the heat. Embers rise from the bloom.

FireFlower

Linda Ereaut Douglass

Oil, 102cm (W) x 92cm (H)

A$990

A large oil painting depicting a view from Portal Lookout in the Blue Mountains, looking north across bushland toward the Penrith valley and distant urban landscape. The composition moves from rocky foreground and water through layered greens and blues to a hazy horizon, capturing the contrast between natural escarpment and city beyond.

Portal Lookout

Linda Ereaut Douglass

Oil, 92cm (W) x 100cm (H)

A$990

A contemporary Australian landscape featuring a vibrant clay wattle in the foreground, surrounded by soft mauve flowering shrubs, silvery native grasses and layered eucalyptus foliage beneath a clear blue winter sky. Rich green tones and warm orange new growth create a striking focal point within the tranquil garden setting.

Mt Annan Clay Wattle

Linda Ereaut Douglass

Acrylic, 92cm (W) x 102cm (H)

A$990

A contemporary botanical painting showing a cluster of stylised flower forms composed of layered, gestural brushstrokes in teal, green, white, ochre and rust tones. The background is a rich, textured purple, creating contrast and depth. The artwork is presented in a natural timber frame and signed by the artist in the lower right corner.

Inflorescence

Linda Ereaut Douglass

Oil, 63cm (W) x 43cm (H)

A$500

Patrick Hromas

Springwood NSW, Australia

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This oil painting is a cross section of an anatomical study of a horse's brain, painted with fine black lines across a random swathe of a red or orange glaze upon an intense canary yellow background.

On the right hand side a similarly pained, diagrammatically represented image of a horse's rib cage can be seen. On the far left hand side, a rearing horse. This horse is an appropriation of Jacques-Louis David's famous oil painting: "Napoleon Crossing The Alps" (1801-05), except what is seen here is the image of the horse without the rider, but also this figure is reversed on the horizontal axis.

Couched between these two related elements are two non-mimetic studies: the sinuses of a horse, in-situ, in the scull and a representation of a horse's field of vision. A distorted and simplified diagram of a horse’s thoracic system, illustrates the curvature of the spine, seen on the right hand side.

The solid darkened tincture crescents in the upper and lower parts show areas obstructed from vision in both eyes, the single hatched areas seen on the left and right of the diagram represents monocular vision, and the centre mid tone glaze describes the binocular visual field.

A Yves Kline style swaith of red or vermillion paint underpins these disparate elements, on a plain gold or canary yellow background, as if this is how the collective soul of all horses, Equus, sees and is aware of these disparate bodily parts.

The plane of innocence

Oil, 140cm (W) x 100cm (H)

A$690

JaneFit Girl

Drawing, 41.7cm (W) x 28cm (H)

A$350

A film still from the film starring Ryan Gosling, titled “Lars and The Real Girl”. Ryan sits in a fine suit, waistcoat and tie on a chair in a psychiatrist’s waiting room. His left hand rests on the hand of his girlfriend who is in a wheelchair to his left. Is she a real woman or a mannequin?

Ryan Gosling and the Real Girl 2020

Pastel, 57.2cm (W) x 45.2cm (H)

A$420

Three panel painting. Smaller left panel represents a view of the Alexander Hotel, Leura, NSW, in purple and pale blue colours, as seen from a Leura Train Station platform.

The largest and central panel shows an expressively painted fawn and purple painting of Darwin’s Tree in Wentworth Falls, NSW, reminiscent of a René Magritte painting, over which the image of larger than life pregnant woman sits upon a rock, her right arm raised with a defiant expression on her face. Between these two images is an image of the artist’s brother in law standing at the gates of his family’s property, an image taken during the Wattle Creek Bushfire in 2019.

The medium sized and right hand panel shows the same pregnant woman painted with darker hair, again shown larger than life, crouched in the railway cutting, beside Leura Train Station, surrounded by the ochres, vermillion, lemon yellows and ultramarine blues of the sandstone cutting wall, with her head bowed.

Darwin’s Tree Wentworth Falls Ideals are dangerous things Realities are better They wound but they are better

Oil, 198.3cm (W) x 91.6cm (H)

A$2,080

Camellia Milner

New South Wales

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A Tenderness of Trees reinterprets the familiar landscape through a gentle, contemporary lens. Pale trunks rise in quiet rhythm against a deep, shadowed backdrop, while washes of blush pink and warm ochre drift across the ground like lingering light. The palette softens the forest’s structure, turning solidity into atmosphere and inviting a slower, more contemplative gaze.

A Tenderness of Trees Ready To Hang

Camellia Milner

Acrylic, 102cm (W) x 76cm (H)

A$880

A serene, minimalist seascape rendered in layered tones of blue, evoking depth and quiet movement. A soft horizon line separates the tranquil water from a pale sky, while a distant strip of warm ochre land adds contrast and balance. Subtle textures and brushwork create a sense of atmosphere and calm, inviting contemplation and stillness.

Jervis Bay Ready to Hang

Camellia Milner

Acrylic, 92cm (W) x 92cm (H)

A$880

Semi-abstract landscape leading toward a distant house, painted in soft pinks, blues and muted reds.

The Pink Path Home Ready to Hang

Camellia Milner

Acrylic, 61cm (W) x 61cm (H)

A$390

A road stretches toward two pink trees standing together in silence. The painting was inspifed by the feeling of travelling toward someone or something remembered - distant, quiet, and filled with hope.

Soft Distance Ready to Hang

Camellia Milner

Acrylic, 40cm (W) x 40cm (H)

A$330

Karin Cutler

Sydney, Australia

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Golden Hour is a richly textured abstract painting in warm earthy tones of ochre, sand, cream, and muted olive. Organic layers, subtle markings, and natural textures create a landscape-like impression, evoking sunlit earth, weathered stone, and the soft glow of late afternoon light. The composition is atmospheric and calming, with depth and movement that invite quiet contemplation.

Golden Hour

Mixed Media, 123cm (W) x 123cm (H)

A$3,800

Layered abstract painting in muted pink with textured marks, drawings and earthy undertones beneath a soft overlay, evoking an aged, timeworn wall.

Pink Residue

Mixed Media, 90cm (W) x 120cm (H)

A$2,400

an abstract painting in mostly dark browns, black, umbers and whites with thick broad marks and contrasting fine lines and dots

All The Moments Between

Mixed Media, 91cm (W) x 122cm (H)

A$2,500

square artwork, monochromatic (black white and blue) with texture

Calm Tension

Acrylic, 115cm (W) x 115cm (H)

A$3,300

Rhonda Armistead

Lismore NSW. Australia

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views of an extinct volcano boroka lookout halls gap grampians

Boroka Lookout Halls Gap The Grampians view

Rhonda Armistead

Oil, 146cm (W) x 90cm (H)

A$3,760

4 small Red Browed Finches perch on a mossy branch in the forest overlooking a river in the misty morning

Red Browed Finches

Rhonda Armistead

Oil, 41cm (W) x 41cm (H)

A$740

Late afternoon light on a back lit tree in a bush setting with a picnic table and light glowing through the foliage

The Picnic Table

Rhonda Armistead

Oil, 50cm (W) x 40cm (H)

A$650

A small superb fairy wren male bird sitting on a branch with a misty background

Superb Wren Ed. 6 of 50

Rhonda Armistead

Giclée, 60cm (W) x 50cm (H)

A$120

Bonnie Larden

Ballina, NSW

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